The Half-way House of Fiction: Don Quixote and Arthurian Romance

action actually adventures aesthetic Amadis appears Arthurian romance asks attempts beauty becomes begins believe cause century Cervantes Cervantes's Chapter characters chivalric Chrétien Christian claims comic course courtly created critics device distinction Don Quixote Dulcinea earlier effect enchanters episode errant Esplandian evidence example existence experience fact fiction force further give given hand hero historical ideal imagination interpretation invention ironic irony kind King knight lady Lancelot language less literary London madness marvellous master meaning medieval Montalvo moral narrative narrator nature novel object observed once original parody possibility present problem produced question Quixote's reader reality reason reference relations remains Renaissance represents reveals romance Sancho seek seems seen sense significance signs Spanish spiritual squire story structure symbolic taken things traditional true truth turn values whole writing Yvain