Shakespearean TragedyD. F. Bratchell Routledge, 1990 - 166 páginas Designed as an introductory text for students of English literary criticism, this study reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times, and celebrates the power of Shakespearean tragedy. |
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Página 13
... Coleridge were not always keen to acknowledge the German Romantic influence , but they adopted the spirit of the new German approach in their criticism . Charles Lamb's plea for a liberal imaginative approach to Shakespearean tragedy ...
... Coleridge were not always keen to acknowledge the German Romantic influence , but they adopted the spirit of the new German approach in their criticism . Charles Lamb's plea for a liberal imaginative approach to Shakespearean tragedy ...
Página 125
... Coleridge Lectures on Shakespeare ( 1818 ) Coleridge thinks King Lear is founded on improbabilities but nevertheless praises Shakespeare's judgment in developing the theme of filial ingratitude . Impatience with Lear's early conduct is ...
... Coleridge Lectures on Shakespeare ( 1818 ) Coleridge thinks King Lear is founded on improbabilities but nevertheless praises Shakespeare's judgment in developing the theme of filial ingratitude . Impatience with Lear's early conduct is ...
Página 137
... Coleridge Lectures on Shakespeare ( 1818 ) Coleridge's comparison of the openings of Macbeth and Hamlet allows him to highlight the direct appeal to the imagination and the emotions which characterizes Macbeth . There are few who would ...
... Coleridge Lectures on Shakespeare ( 1818 ) Coleridge's comparison of the openings of Macbeth and Hamlet allows him to highlight the direct appeal to the imagination and the emotions which characterizes Macbeth . There are few who would ...
Contenido
Critics and Shakespearean tragedy | 20 |
Thomas Whately Remarks on Some of the Characters | 40 |
Samuel Taylor Coleridge Biographia Literaria 1817 | 47 |
Derechos de autor | |
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Términos y frases comunes
A. C. Bradley action admiration analysis appear approach to Shakespearean approach to tragedy Aristotle Aristotle's audience beautiful Bradley Bradley's century character Charles Lamb classical Coleridge colour comedy conflict contrast Cordelia creative critical approaches death deed Desdemona dramatic dramatist effect elements emotions English espeare evil fear feeling force genius give Greek Hamlet Hazlitt heart horror human Iago Iago's illusion imagery images imagination imitation important intellectual interpretation Johnson King Lear lago language literary mind Modern criticism moral murder nature neo-classical never Ophelia Othello passion persons philosophical pity plot poet poetic poetry psychological realism reality reason Romantic Romeo and Juliet Samuel Taylor Coleridge scene sense Shak Shakespeare Shakespeare's plays Shakespearean tragedy spectators stage story supernatural supposed sympathy theatre theatrical theme theory thing thought Timon of Athens tragic hero true truth unities villain whole William Hazlitt William Shakespeare Wilson Knight words writers