Shakespearean TragedyD. F. Bratchell Routledge, 1990 - 166 páginas Designed as an introductory text for students of English literary criticism, this study reflects changing critical perceptions of Shakespeare's works from Renaissance to modern times, and celebrates the power of Shakespearean tragedy. |
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Critics and Shakespearean tragedy | 20 |
Thomas Whately Remarks on Some of the Characters | 40 |
Samuel Taylor Coleridge Biographia Literaria 1817 | 47 |
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A. C. Bradley action actor admiration approach to Shakespearean approach to tragedy Aristotle audience Banquo beautiful Bradley Bradley's character of Hamlet Charles Lamb classical Coleridge colour comedy contrast Cordelia critical approaches death deed Desdemona dramatic dramatist effect elements Elizabethan emotions espeare evil fact fear feeling force genius give Greek Hamlet Hazlitt heart horror human Iago Iago's illusion images imagination imitation important improbabilities intellectual interpretation jealous Johnson King Lear Lady Macbeth lago language mind Modern criticism moral murder nature neo-classical never noble Ophelia Othello passion peripeteia persons philosophical pity plot poet poetic poetry psychological realism reality reason reflection Romantic Samuel Johnson Samuel Taylor Coleridge scene sense Shak Shakespeare 1818 Shakespeare's plays Shakespearean tragedy spectators stage Stoll story supernatural supposed sympathy theatre theatrical theme theory thing thought Timon of Athens tragic hero truth unities villain whole William Hazlitt Wilson Knight words writers