Handbook of Painting: The Italian schools, Parte2J. Murray, 1855 - 583 páginas |
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Página 283
... Louvre ) , belonging probably 1 1 [ Dan , in his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the master . A very Chap . I ...
... Louvre ) , belonging probably 1 1 [ Dan , in his Trésor de Fontainebleau , published in 1642 , calls this a Duchess of Mantua . See Dr. Waagen , Kunstwerke in Paris , 1839.-ED. ] to the earlier period of the master . A very Chap . I ...
Página 286
... Louvre . Here the Virgin is seated on the lap of St. Anna - a playful , but at first sight strange representation of a sacred scene , which would lead to the conclusion that there was an affinity between the minds of Leonardo and ...
... Louvre . Here the Virgin is seated on the lap of St. Anna - a playful , but at first sight strange representation of a sacred scene , which would lead to the conclusion that there was an affinity between the minds of Leonardo and ...
Página 286
... Louvre . Here the Virgin is seated on the lap of St. Anna — a playful , but at first sight strange representation of a sacred scene , which would lead to the conclusion that there was an affinity between the minds of Leonardo and ...
... Louvre . Here the Virgin is seated on the lap of St. Anna — a playful , but at first sight strange representation of a sacred scene , which would lead to the conclusion that there was an affinity between the minds of Leonardo and ...
Página 287
... Louvre - a picture of extraordinary loveliness and of exquisite finish . The painter worked at it for four years , and pronounced it still unfinished . Even in its present utterly ruined condition there is something in this wonderful ...
... Louvre - a picture of extraordinary loveliness and of exquisite finish . The painter worked at it for four years , and pronounced it still unfinished . Even in its present utterly ruined condition there is something in this wonderful ...
Página 289
... Louvre . The artist is described as a man given up to gloomy fancies , and this character is impressed upon his works , especially in those small pictures in the Uffizj which represent the history of Perseus . His landscape backgrounds ...
... Louvre . The artist is described as a man given up to gloomy fancies , and this character is impressed upon his works , especially in those small pictures in the Uffizj which represent the history of Perseus . His landscape backgrounds ...
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Academy Adoration altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bernardino Bologna Borghese Brera Carracci cartoon ceiling celebrated century Chapel character chiaroscuro Christ church colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful grand Guercino Guido Reni hand head History Holy Family imitation Italian Italy John kneeling landscape later Leonardo da Vinci Lorenzo Louvre manner Marc Antonio Marco Maria master Michael Angelo Milan Mosaics Naples Niccolò Niccolò Alunno noble original painted painter Palazzo Paolo Parmigianino Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti Palace portraits Post 8vo Raphael Razzi representation represented Roman Rome saints scene scholars Second Edition style subjects tapestries Third Edition Tintoretto tion Titian Uffizj at Florence Vasari Vatican Venetian Venice Veronese Virgin Vols Woodcuts youth
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