Handbook of Painting: The Italian schools, Parte2J. Murray, 1855 - 583 páginas |
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Página 273
... CENTURY . INTRODUCTION . ALL the elements which had existed apart from each other and had composed distinct styles in the periods hitherto con- sidered , all the qualities which had been successively deve- loped , each to the exclusion ...
... CENTURY . INTRODUCTION . ALL the elements which had existed apart from each other and had composed distinct styles in the periods hitherto con- sidered , all the qualities which had been successively deve- loped , each to the exclusion ...
Página 274
... also rich corporations who gave form and object to the aspira- tions of a painter , while they guaranteed his daily existence ; and finally she possessed a people in whom a feeling 274 Book V. MASTERS OF THE SIXTEENTH CENTURY .
... also rich corporations who gave form and object to the aspira- tions of a painter , while they guaranteed his daily existence ; and finally she possessed a people in whom a feeling 274 Book V. MASTERS OF THE SIXTEENTH CENTURY .
Página 280
... century . In 1652 a door was broken open , under the figure of the Saviour , which destroyed the feet . Under a false pretext of giving it a coat of varnish , the picture was entirely painted over in 1726 by an unfortunate bungler named ...
... century . In 1652 a door was broken open , under the figure of the Saviour , which destroyed the feet . Under a false pretext of giving it a coat of varnish , the picture was entirely painted over in 1726 by an unfortunate bungler named ...
Página 295
... century . For some time also he studied in Perugino's atelier , but the influence of Leonardo is not to be mistaken . Like Cesare da Sesto , he worked at a later period under Raphael at Rome , and imbibed a great deal of the manner of ...
... century . For some time also he studied in Perugino's atelier , but the influence of Leonardo is not to be mistaken . Like Cesare da Sesto , he worked at a later period under Raphael at Rome , and imbibed a great deal of the manner of ...
Página 298
... scholar of Lomazzo . A weak and mannered imitator of the early styles . CHAPTER II . MICHAEL ANGELO BUONAROTTI AND HIS FOLLOWERS . 298 Book V. MASTERS OF THE SIXTEENTH CENTURY . Scourging of Christ, in S. Maria delle Grazie at ...
... scholar of Lomazzo . A weak and mannered imitator of the early styles . CHAPTER II . MICHAEL ANGELO BUONAROTTI AND HIS FOLLOWERS . 298 Book V. MASTERS OF THE SIXTEENTH CENTURY . Scourging of Christ, in S. Maria delle Grazie at ...
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Academy Adoration altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bernardino Bologna Borghese Brera Carracci cartoon ceiling celebrated century Chapel character chiaroscuro Christ church colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful grand Guercino Guido Reni hand head History Holy Family imitation Italian Italy John kneeling landscape later Leonardo da Vinci Lorenzo Louvre manner Marc Antonio Marco Maria master Michael Angelo Milan Mosaics Naples Niccolò Niccolò Alunno noble original painted painter Palazzo Paolo Parmigianino Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti Palace portraits Post 8vo Raphael Razzi representation represented Roman Rome saints scene scholars Second Edition style subjects tapestries Third Edition Tintoretto tion Titian Uffizj at Florence Vasari Vatican Venetian Venice Veronese Virgin Vols Woodcuts youth
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