Handbook of Painting: The Italian schools, Parte2J. Murray, 1855 - 583 páginas |
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Página 278
... early works of Leonardo . It is related that he once painted a fabulous monster , and made studies for it from toads , serpents , lizards , bats , etc. , of which he had a whole menagerie ; his own father drew back in fear from the ...
... early works of Leonardo . It is related that he once painted a fabulous monster , and made studies for it from toads , serpents , lizards , bats , etc. , of which he had a whole menagerie ; his own father drew back in fear from the ...
Página 279
... early productions ascribed to Leonardo da Vinci ; a critical investigation of his works has as yet been only ... earliest establishment of the kind , ' was soon intrusted to him : his works on Art2 appear to have been composed for it ...
... early productions ascribed to Leonardo da Vinci ; a critical investigation of his works has as yet been only ... earliest establishment of the kind , ' was soon intrusted to him : his works on Art2 appear to have been composed for it ...
Página 280
... early as the middle of the six- teenth century . In 1652 a door was broken open , under the figure of the Saviour , which destroyed the feet . Under a false pretext of giving it a coat of varnish , the picture was entirely painted over ...
... early as the middle of the six- teenth century . In 1652 a door was broken open , under the figure of the Saviour , which destroyed the feet . Under a false pretext of giving it a coat of varnish , the picture was entirely painted over ...
Página 283
... early and rather severer manner of the artist : also some portraits sketched in crayons ; among these , a Head of a Lady with downcast eyes is in the highest degree charming yet dignified . Also the half - length figure of a youthful ...
... early and rather severer manner of the artist : also some portraits sketched in crayons ; among these , a Head of a Lady with downcast eyes is in the highest degree charming yet dignified . Also the half - length figure of a youthful ...
Página 289
... early Florentine time . In Piero's pictures there is an evident desire to measure himself with his great contemporary he is occasionally successful in chiaroscuro , but is totally deficient in the nobleness of feeling so striking in ...
... early Florentine time . In Piero's pictures there is an evident desire to measure himself with his great contemporary he is occasionally successful in chiaroscuro , but is totally deficient in the nobleness of feeling so striking in ...
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Academy Adoration altar-piece Andrea appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bernardino Bologna Borghese Brera Carracci cartoon ceiling celebrated century Chapel character chiaroscuro Christ church colouring composition Correggio display Domenichino Domenico drapery Duomo engravings excellent executed expression Fcap feeling figures Florentine Fra Bartolommeo Francesco Francis fresco Giorgione Giovanni Giulio Romano graceful grand Guercino Guido Reni hand head History Holy Family imitation Italian Italy John kneeling landscape later Leonardo da Vinci Lorenzo Louvre manner Marc Antonio Marco Maria master Michael Angelo Milan Mosaics Naples Niccolò Niccolò Alunno noble original painted painter Palazzo Paolo Parmigianino Passavant Paul Paul Veronese peculiar period Perugino picture Pietro Pitti Palace portraits Post 8vo Raphael Razzi representation represented Roman Rome saints scene scholars Second Edition style subjects tapestries Third Edition Tintoretto tion Titian Uffizj at Florence Vasari Vatican Venetian Venice Veronese Virgin Vols Woodcuts youth
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