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The Prelude to Poetry: The English Poets in the Defence and Praise of Their ...
Vista de fragmentos - 1919
abuse according action admiration appeared authority beauty become better called carried cause character common composition connected considers delight difference divine doth effect evil example excellent excite exist expression faculty feelings follow further give hath heare highest human imagination imitation indeede interesting kind knowledge language learning less light live lyric manner matter meaning metre mind moral nature never object observe opinion passage passions perfect persons Philosopher Plato pleasure poems Poesie Poet poetic poetry present principle produced prose Reader reason received relation Science selfe sense shew sith society song soul sound speak spirit style teach theyr things thou thought tion true truely truth universal verse vertue whole worthy write written
Página 155 - ... to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand.
Página 150 - Religion ! what treasure untold Resides in that heavenly word ! More precious than silver and gold, Or all that this earth can afford : But the sound of the church-going bell These valleys and rocks never heard, Never sighed at the sound of a knell, Or smiled when a Sabbath appeared.
Página 175 - ... and rhythmical, and contain in themselves the elements of verse; being the echo of the eternal music. Nor are those supreme poets, who have employed traditional forms of rhythm on account of the form and action of their subjects, less capable of perceiving and teaching the truth of things, than those who have omitted that form. Shakespeare, Dante, and Milton (to confine ourselves to modern writers) are philosophers of the very loftiest power.
Página 39 - ... cometh to you with words set in delightful proportion, either accompanied with, or prepared for, the well-enchanting skill of music; and with a tale, forsooth, he cometh unto you, with a tale which holdeth children from play and old men from the chimney corner...
Página 129 - ... and things violently destroyed ; the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time. The objects of the Poet's thoughts are everywhere...
Página 199 - His very words are instinct with spirit; each is as a spark, a burning atom of inextinguishable thought; and many yet lie covered in the ashes of their birth, and pregnant with a lightning which has yet found no conductor.
Página 121 - Poetry " (though against my own judgment) as opposed to the word Prose, and synonymous with metrical composition. But much confusion has been introduced into criticism by this contradistinction of Poetry and Prose, instead of the more philosophical one of Poetry and Matter of Fact, or Science.
Página 108 - And thou, sweet Poetry, thou loveliest maid, Still first to fly where sensual joys invade; Unfit, in these degenerate times of shame, To catch the heart or strike for honest fame...
Página 122 - ... if the Poet's subject be judiciously chosen, it will naturally, and upon fit occasion, lead him to passions the language of which, if selected truly and judiciously, must necessarily be dignified and variegated, and alive with 275 metaphors and figures.
Página 173 - The practice is indeed convenient and popular, and to be preferred especially in such composition as includes much action : but every great poet must inevitably innovate upon the example of his predecessors in the exact structure of his peculiar versification. The distinction between poets and prose writers is a vulgar error.