The Cambridge Introduction to TragedyCambridge University Press, 2007 M05 10 - 243 páginas Tragedy is the art-form created to confront the most difficult experiences we face: death, loss, injustice, thwarted passion, despair. From ancient Greek theatre up to the most recent plays, playwrights have found, in tragic drama, a means to seek explanation for disaster. But tragedy is also a word we continually encounter in the media, to denote an event which is simply devastating in its emotional power. This introduction explores the relationship between tragic experience and tragic representation. After giving an overview of the tragic theatre canon - including chapters on the Greeks, Shakespeare, Ibsen, Chekhov, post-colonial drama, and Beckett - it also looks at the contribution which philosophers have brought to this subject, before ranging across other art-forms and areas of debate. The book is unique in its chronological range, and brings a wide spectrum of examples, from both literature and life, into the discussion of this emotional and frequently controversial subject. |
Contenido
Physical violence | 103 |
Language | 110 |
Tragic theory | 117 |
Nondramatic tragedy | 158 |
Tragic sites | 189 |
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Términos y frases comunes
according action actors Aeschylus aesthetic African ancient Antigone appears arguably Aristotle Athens atrocity audience Beckett becomes belief body Cambridge Greek Play Cambridge Introduction characters chorus cinema comedy context critics crucifixion culture dead death depicts despair Dionysus divine dramatised Electra emotions essay Eteocles ethical Euripides evil example experience fact fate father feeling film film noir forensic archaeology Freud Geraint Lewis ghost gods Greek tragedy Hamlet Hegel horror human Ibsen individual Jesus Kierkegaard killed King Lear lives London Macbeth Medea moral mourning murder narrative nature Nietzsche novel Oedipus Oresteia pain Pentheus performance photograph physical pity play political Post-Colonial production Prometheus question Racine realisation redemption religious response ritual Romantic sacrifice Sarah Kane says scene Seneca Shakespeare Shakespearean Tragedy Sophocles Soyinka stage story Strindberg suffering theatre theatrical torture tradition tragic drama tragic sense trans trauma understanding Vernant violence witness women words Yoruba