Eight French classic playsH. Holt, 1932 - 609 páginas |
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Página 6
... century and more . Italian troupes of actors came frequently before the court of the Medici queens and regents of France . From 1622 on , Richelieu , who had a keen personal interest in the theater , took vigorous measures to elevate it ...
... century and more . Italian troupes of actors came frequently before the court of the Medici queens and regents of France . From 1622 on , Richelieu , who had a keen personal interest in the theater , took vigorous measures to elevate it ...
Página 12
... centuries . Hence the term " alexandrine . " The details of the verse had undergone considerable changes between the 13th and 17th centuries , but the dramatic alexandrin of the 17th century is briefly as follows : There are two kinds ...
... centuries . Hence the term " alexandrine . " The details of the verse had undergone considerable changes between the 13th and 17th centuries , but the dramatic alexandrin of the 17th century is briefly as follows : There are two kinds ...
Página 189
... century . 5. Jason ( 13th century ) , Baldus ( 14th century ) , Accursius ( 15th century ) , Alciat ( 16th century ) had written legal com- mentaries that were accepted as authoritative in the time of Corneille . 6. Qu ' de cœurs ...
... century . 5. Jason ( 13th century ) , Baldus ( 14th century ) , Accursius ( 15th century ) , Alciat ( 16th century ) had written legal com- mentaries that were accepted as authoritative in the time of Corneille . 6. Qu ' de cœurs ...
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Términos y frases comunes
aime ALCESTE ALCIPPE amant âme amour assez beau belle CÉLIMÈNE century charmes cher chercher CHIMÈNE chose ciel CLARICE CLITON cœur comedy Corneille coup cour crime demande devoir Dieu Dieux dire discours doit DORANTE DORINE douleur doute enfin esprit fais FÉLIX ferai fille fils first force garde gens gloire Grecs haine have HERMIONE HIPPOLYTE homme j'ai jour juste l'amour l'autre laisse line love Lucrèce m'en Madame MAGDELON main make malheur MARIANE MASCARILLE mieux Molière monde Monsieur montrer mort n'en ORESTE ORGON parler passe PAULINE peine pense père PHÈDRE PHILINTE place play pleurs POLYEUCTE porte pouvoir premier Pyrrhus qu'à qu'en qu'un raison regard rend rendre reste rien Rodrigue s'il sais sang SCÈNE secret Seigneur sentiments serait servir seul Sévère soins sort souffrir take TARTUFFE time trouble trouve venger veut veux viens vient vois voit voyez vrai yeux