Eight French classic playsH. Holt, 1932 - 609 páginas |
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Página 11
... time in general but of his own time in particular ( cf. l'Impromptu de Versailles ) . The whole was to hinge on contemporary social and moral problems , giving his plays an effect of individuality and local color . Thus Molière did for ...
... time in general but of his own time in particular ( cf. l'Impromptu de Versailles ) . The whole was to hinge on contemporary social and moral problems , giving his plays an effect of individuality and local color . Thus Molière did for ...
Página 19
... time , strangely enough , a model of devotion and charity . In this version there is also introduced for the first time a definite romantic element , the love story of Chimène and Rodrigue . In the older poem the love story had hardly ...
... time , strangely enough , a model of devotion and charity . In this version there is also introduced for the first time a definite romantic element , the love story of Chimène and Rodrigue . In the older poem the love story had hardly ...
Página 482
... time with Corneille in a subject taken from Roman history . In his ' ast two plays written for the public theater , Iphigénie ( 1674 ) and Phèdre ( 1677 ) , he returned to subjects taken from the Greek . During the composition of these ...
... time with Corneille in a subject taken from Roman history . In his ' ast two plays written for the public theater , Iphigénie ( 1674 ) and Phèdre ( 1677 ) , he returned to subjects taken from the Greek . During the composition of these ...
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Términos y frases comunes
aime ALCESTE ALCIPPE amant âme amour assez beau belle CÉLIMÈNE century charmes cher chercher CHIMÈNE chose ciel CLARICE CLITON cœur comedy Corneille coup cour crime demande devoir Dieu Dieux dire discours doit DORANTE DORINE douleur doute enfin esprit fais FÉLIX ferai fille fils first force garde gens gloire Grecs haine have HERMIONE HIPPOLYTE homme j'ai jour juste l'amour l'autre laisse line love Lucrèce m'en Madame MAGDELON main make malheur MARIANE MASCARILLE mieux Molière monde Monsieur montrer mort n'en ORESTE ORGON parler passe PAULINE peine pense père PHÈDRE PHILINTE place play pleurs POLYEUCTE porte pouvoir premier Pyrrhus qu'à qu'en qu'un raison regard rend rendre reste rien Rodrigue s'il sais sang SCÈNE secret Seigneur sentiments serait servir seul Sévère soins sort souffrir take TARTUFFE time trouble trouve venger veut veux viens vient vois voit voyez vrai yeux