A descriptive catalogue of the etched work of Rembrandt van Rhyn, Tema 169John Murray, 1878 - 341 páginas |
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Página 22
... Copy rev . Measures : 2,6—2,2 ( ' 066—056 ) . In this copy five descending lines form the shading at the back of the neck ; in the left background is the signature of the copyist , Both . I have seen this copy faintly printed , and ...
... Copy rev . Measures : 2,6—2,2 ( ' 066—056 ) . In this copy five descending lines form the shading at the back of the neck ; in the left background is the signature of the copyist , Both . I have seen this copy faintly printed , and ...
Página 25
... Copy . Same d . enlarged . Very coarse . Copy rev . Measures 5,3-2,6 ( 135—066 ) . Below to the left is RH inv .; probably by Cumano . The plate is still in existence ; impressions are occasionally met with which show recent work ...
... Copy . Same d . enlarged . Very coarse . Copy rev . Measures 5,3-2,6 ( 135—066 ) . Below to the left is RH inv .; probably by Cumano . The plate is still in existence ; impressions are occasionally met with which show recent work ...
Página 27
... Copy rev . Novelli , No. 39 . Copy rev . 2,1 ( 052 ) wide . The inside of the flap of the hat to the left has a cross - line not seen in the original . I believe this to be by Deuchar , though I have not found it among his copies . 15 ...
... Copy rev . Novelli , No. 39 . Copy rev . 2,1 ( 052 ) wide . The inside of the flap of the hat to the left has a cross - line not seen in the original . I believe this to be by Deuchar , though I have not found it among his copies . 15 ...
Página 33
... Copy rev . The top of the cap is in . ( 013 ) , from the plate line , in upper left is Thos . Worlidge , 1759 . Copy rev . The expression much exaggerated , the top of the cap is 1,1 ( 028 ) from the plate line . Copy rev . The upper ...
... Copy rev . The top of the cap is in . ( 013 ) , from the plate line , in upper left is Thos . Worlidge , 1759 . Copy rev . The expression much exaggerated , the top of the cap is 1,1 ( 028 ) from the plate line . Copy rev . The upper ...
Página 34
... Copy rev . The left eye is larger than the right ; the expres- sion is a very grave one , in complete contrast to the original . Copy rev . and reduced . The head is in the upper middle of the plate . Copy rev . At the lower left is ...
... Copy rev . The left eye is larger than the right ; the expres- sion is a very grave one , in complete contrast to the original . Copy rev . and reduced . The head is in the upper middle of the plate . Copy rev . At the lower left is ...
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A Descriptive Catalogue of the Etched Work of Rembrandt Van Rhyn Charles Henry Middleton-Wake Sin vista previa disponible - 2015 |
Términos y frases comunes
Albrecht Dürer Amsterdam Anslo appears Bartsch Basan beard beggar Bibl brandt British Museum burnished burr Catalogue Charles Blanc Claussin clear space cloak coarse Coll collar collection Copy rev counterproof covered cross-work crosses curly Date assumed described Dimensions dress dry point engraved etching executed eyes figure fold foliage foreground forehead front fur cap grisaille Guilder hair hangs head and bust high cap India paper irregular Jacob Cats Jan Six landscape left hand left is RH left-to-right diagonals Lievens light comes lines lower left lower right monogram and date moustache nearly full face neck Novelli Numbers outline Philip Koninck piece placed plate edges plate is reduced portrait retouched reworked right hand right shoulder right side right to left round seated shadow sketch sleeve slightly slipped stroke tree turned unshaded upper left upper right variations vertical Vieillard Vosmaer wears Wilson woman
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Página 73 - Middleton, for instance, thinks that "it is not possible to conceive a more beautiful and more perfect triumph of the etcher's art." Few, it is safe to say, can see a good impression of an early state of this portrait without being struck by its great originality and beauty. Upon closer study, I feel, a fair-minded person will inevitably fall under the spell of those wonderfully drawn face and hands, those deep, yet transparent...
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