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Mr. Hunter's Hallamshire, fol. 1819, p. 59, I find a mention of Wilson as quidam Leycestrii comitis servus. The letter relates to theatrical entertainments before the Earl of Shrewsbury at Sheffield Castle. I have elsewhere mentioned Henslowe's entry regarding the play of Catiline's Conspiracy by Wilson and others, and I will here quote the whole of what Lodge says, in his Defence of Plays, regarding the production by Wilson upon the same subject prior to 1579, anterior to which year Stephen Gosson (whom Lodge is answering) had also written a play named Catiline's Conspiracies. Part of it I have before cited, but I accidentally omitted what relates to Wilson

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Tell me, Gosson, (says Lodge,) was all your own you • wrote there? [i.e., in his Catiline's Conspiracies.] Did you 'borrow nothing of your neighbours? Out of what booke patched you out Cicero's oration? Whence fet you Catalin's ' invective? Thys is one thing-alienam olet lucerna non tuam, so that your helper may wisely reply upon you with Virgil"Hos ego versiculos feci, tulit alter honores."

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"I made these verses-other bear the name."

Believe me, I should preferr Wilson's shorte and sweete, if I were a judge—a peece surely worthy prayse, the practise of a

' good scholler: would the wiser would overlooke that, they

I may perhaps cull some wisedome out of a player's toye. Well,

as it is wisedome to commend where the cause requireth, so it is a poynt of folly to praise without desert.'

CONTENTS

OF

THE FIRST VOLUME.

ANNALS OF THE STAGE

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The King's musicians and players, 1547.
Warwick Inn and Blackfriars.

Will Somers, jester to Henry VIII. and
Edward VI.

Proclamation against plays, &c., 1549.
against Players and Prin-

ters, 1552.
George Ferrers, Master of the king's
pastimes, 1552.

The play of Æsop's Crow, by G. Ferrers.
Plays, &c. before the Princess Eliza-
beth.

William Baldwin and his play, 1553.

Proclamation by Queen Mary against

interludes, 1553.

Plays suppressed for two years.
Stage-play at Hatfield-Bradock, 1556.
Orders by the Star-chamber against
theatrical performances, 1556.

A Sack full of News.

Plays and players in London, 1557.
The Queen's musicians and players, from
her household-book.

Mask and feats of activity, before the
Queen.

Miracle-plays in London, in 1557.

Proclamation against plays, 1558.
Sir R. Dudley's servants, 1559.
Players at court interrupted.
Sir Thomas Benger, Master of the
Revels, 1560.

Children of the Chapel of Windsor.

The Queen's musicians and players, 1562.

Ferrex and Porrex, and Julius Cæsar.

Masks, &c. for the meeting of Elizabeth

and Mary Queen of Scots, 1562.

Grindall's hostility to plays and players,

1563.

Edwards's tragedy, &c. before the Queen.
Ezechias, by Nicholas Udall, 1564.

Palamon and Arcyte, by Richard Ed-
wards, 1566.

Gray's-Inn Plays and court revels.
Apparel of the revels, in 1571.
Musical and Dramatic establishments

From the year 1575 to the year 1585..

Lord Mayor and Corporation of London

opposed to theatrical performances.

ham.

Sir Jerome Bowes and his theatrical
project, 1577.

Shews, &c. at Kenilworth Castle.

William Hunnis's interludes.

Edmund Tylney, Master of the Revels,

John Lyly's petition for the office.

John Smith, an interlude player, 1581.

Renewed hostility of the City to plays.

Observation of the Sabbath, 1582.

Accident at Paris Garden, 1583.

John Field's letter to Lord Leicester.
The Queen's company of players, 1583.
The Queen's musicians and players in
1585.

Recorder Fleetwood's reports to Lord
Burghley.

year 1599

•p. 261.

George Peele's verses to the Queen at

Theobalds, 1591.

Theatrical performances near Cam-

bridge and in the University, 1593.

Repair of Blackfriars theatre in 1596.

Petition by William Shakespeare, Rich-

ard Burbage, and others to the

Privy-Council, 1596.

Debts of the Queen's office of the revels.
Letter from Thomas Nash to Sir R.
Cotton, and his Isle of Dogs, 1597.
Limitation of the right of playing to
two theatres, 1598.

Personalities in Plays at the Curtain,1601.

Disputes between the court and city.

The Queen's players dissolved.

The Lord Chamberlain's, Lord Pem-

broke's, Lord Derby's, and Lord
Admiral's players at court, 1601.

Diary of a Barrister in 1601, 1602, and

1603.

Song in a mask before Elizabeth, 1602.

The Queen entertained at Sir R. Cecill's
and the Lord Keeper's, 1602.
Performance of Shakespeare's Twelfth
Night in 1691-2.

Anecdote of Shakespeare and Richard
Burbage.

Anecdotes of Ben Jonson, John Mars-
ton, Edmund Spenser, Sir W. Raw-
ley, and Sir J. Davies.

Death of Queen Elizabeth, 1603.

The Earl of Essex and the Queen's ring.
List of theatres in London,

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Play concerning the Marquis d'Ancre,
1617.

Plays during the King's progress, 1618.

The Queen's Servants of her royal

chamber of Bristol, 1618.

The King's Declaration regarding sports
and pastimes, 1618.
Attempts by the City to suppress the

Blackfriars theatre, 1619.

Patent in 1619 to the King's players at
the Globe and Blackfriars.

Sir John Astley, Master of the Revels.

Projected amphitheatre in Lincoln's-

inn-fields, 1620.

King's letter to cancel the patent.
The Fortune theatre burnt, 1621.
Death of Richard Burbage, and notice

of some of his chief parts, 1620.

Sir Henry Herbert, Deputy Master of

the Revels, 1622.

Plays licensed by Sir George Buc.
J. Fletcher's plays distinguished from
those of F. Beaumont.

Fatal accident at the Blackfriars, 1623.
Plays licensed by Sir Henry Herbert

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