New Theatres for Old

acting action actors Adolphe Appia Antoine Appia artistic audience auditorium Baroque become Belasco Brecht Broadway century character cinema classic color comedy Company Constantin Stanislavsky conventional costumes critics curtain director drama dramatist effect emotional environment Epic theatre Eugene O'Neill fact Federal Theatre film forestage French George German Greek Hollywood human idea illusion illusory John Howard Lawson light mask Max Reinhardt means Meiningen ment method Meyerhold modern Molière Moscow Art Theatre motion pictures movement movie Naturalism Naturalistic O'Neill opera painted performance period Piscator play playgoers playhouse playscript playwrights political propaganda proscenium psychology Reinhardt Robert Edmond Jones rôle Romantic Russian scene design scenery scenic Schweik screen script seems Shakespeare Soviet Soviet theatre spectator stage form stage platform stage setting Stanislavsky Stanislavsky system story style Symbolist symbols technique Theatre Arts Théâtre-Libre theatre's theatrical Theatricalist thought tion troupe truth Volksbühne Wagner walls whole workers York Zola