The Global Jukebox: The International Music IndustryPsychology Press, 1996 - 171 páginas Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication. The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six') and the diversity of music production and consumption. The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music. |
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Contenido
Music and the entertainment industry | 26 |
4 | 33 |
5 | 46 |
The consumption of popular music | 81 |
The American example | 103 |
8 | 110 |
a global jukebox? | 138 |
Postscript | 149 |
Otras ediciones - Ver todas
The Global Jukebox: The International Music Industry Robert Burnett Sin vista previa disponible - 1996 |
Términos y frases comunes
Ace of Base album American Army of Lovers audience Bertelsmann broadcasting cable cassettes cent channels charts compact disc competition concentration and diversity conglomerates consumers corporations costs countries creative cultural products culture industries Denisoff distribution dominant Dr Alban economic electronics entertainment industry film firms Frith generalist global IFPI important increased independent labels interactive Leila K major manufacturing market shares marketplace mass communication mass media Matsushita media companies merger million movie multimedia music companies music industry music publishers music video niche organization phonogram companies phonogram industry Polygram pop music popular culture popular music production and consumption profit programmes promotion purchase radio record companies record industry recorded music released retail revenues rock rock music Roxette royalties selling sold songs success Sweden Swedish Swedish artists television tion transnationals Warner Music worldwide