Criticism: The Major Texts

action admiration ancient appear Aristotle Arnold artist beauty Ben Jonson blank verse century character Chaucer classical Coleridge comedy common concrete criticism delight distinction drama Dryden effect emotion English epic Epic poetry essay Euripides example excellent expression feeling French genius give Goethe Greek Hazlitt Homer human I. A. Richards ideal ideas Iliad images imagination imitation Irving Babbitt kind knowledge language learning less literary literature living Matthew Arnold means ment mind modern moral nature neoclassic neoclassicism ness never object original particular passion perfect perhaps persons philosopher Plato play pleasure plot poem Poesy poet poetical poetry Pope present principles produced prose reader reason rhyme romantic romanticism rules Sainte-Beuve scenes sense Shakespeare Sophocles soul speak spirit style sublime T. S. Eliot taste theory things thought tion tragedy true truth ture unity verse whole words Wordsworth writing