The Kabuki Theatre of Japan, Volumen10Allen & Unwin, 1955 - 317 páginas Handbook for the student and the general reader. Includes analyses of the actor's techniques, music and plays, historical development of the drama against the social background, a comparison of the Japanese and Chinese theatres. |
Contenido
A Background to Appreciation | 17 |
The Historical Background | 34 |
The No Drama | 45 |
Derechos de autor | |
Otras 10 secciones no mostradas
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Términos y frases comunes
acting aragoto audience became Benkei Born Buddhist Bunraku called ceremonial character chobo Chushingura colour costume courtesan curtain dance plays dancer developed doll theatre dress drum Enya famous feature Genzo gidayu hair hanamichi head Honzo Ichikawa Danjuro Ichikawa Ebizo Japan Japanese jidaimono jidaimono plays jōruri Kabuki actor Kabuki plays Kabuki stage Kabuki theatre Kampei Kanjincho Kanshushai Karu Kichiemon Kikugoro kimono known kodōgu Komachi Konami Koshiro kumadori kuromisu kyogen Kyoto make-up master Matahei Matsuo Meiji Monogatari Morita Kanya Moronao movement Munesada nadai actor nagauta Nakamura Utaemon nimaime ningyo Nō drama oiran onnagata onnagata actor Osaka Osono Otomi pattern performance players popular poses pupil remained roles roppo Sambaso samisen samurai scene Sekibei sewamono sewamono plays Shogen shosagoto sleeve Soga stage appearance style Sukeroku sword symbolism technique Terakoya tokiwazu Tokyo traditional Troupe wears wife wooden worn Yasu Yedo Yosaburo Yoshitsune young Yuranosuke