The Girl Behind the Keys

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Broadview Press, 2005 M12 19 - 140 páginas

“As the door was thrust open, I heard, as in a dream, the voice of Neal Larrard—calm and cool as ever—dictating to me; mechanically, my fingers touched the keys, and I began to type. While I did so, I felt that fearful dead thing pressing against my knees, and felt also the muzzle of the revolver hard against my side.”

First published in 1903, The Girl Behind the Keys is a delightful example of early detective fiction in which Bella Thorn, a savvy young typist, foils the nefarious plans of her employer, a confidence man who exploits the hopes and fears infusing the popular imagination. As Arlene Young’s critical introduction demonstrates, the story unites many of the cultural and literary motifs marking the dawn of the twentieth century, when the Victorian era was giving way to modernity.

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Página 99 - I don't know who you are— but I may tell you that
Página 1 - Professor of English at the University of Manitoba. She is the author of Culture, Class and Gender in the Victorian Novel
Página 27 - the previous day, and that it was then four o'clock in the evening of the day following. Add to that, that you had not a single friend in London
Página 34 - You seem to forget that a typist in my position has to become a mere machine; her fingers are the only things that really matter about her.
Página 27 - I had one small room, at the top of a dreary old house, in a small turning off the Tottenham Court Road.
Página 27 - I was a woman. Put yourself in my place, in the great and brutal world of London, with sixpence standing between
Página 30 - man who travels unknown and alone comes to-night, he does not leave the place alive. Remember the terms of the
Página 40 - and I went up the stairs to the door of the room
Página 58 - He looked at me steadily, and I as steadily returned his gaze. He
Página 182 - Never since that day have my fingers rested on the keys of a

Acerca del autor (2005)

Arlene Young is an Associate Professor of English at the University of Manitoba. She is the author of Culture, Class and Gender in the Victorian Novel: Gentlemen, Gents and Working Women (Macmillan, 1999) and the editor of the Broadview edition of George Gissing’s The Odd Women (1998).

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