Renaissance Drama

action actors actually Ages appears argument Aristotle attempt audience become beginning called century characters classical comedy comic concerned course court critics detail direct discussion distinct drama dramatists early edition effect elements Elizabethan England English episodes essay example fact father figure final follow give Greek Henry hero Horestes important influence interest intermedi Italian Italy John kind later Latin literary London Mankind matter means medieval middle mind moral mystery nature original passage passion Pastor performance Plautus plays plot political possible present prodigal-son Prologue reason recent relationship Renaissance represented response ritual Roman Ruzante scene seems Seneca sense Shakespeare sixteenth-century social soliloquy sources stage story structure suggest Terence theater theatrical things tradition tragedy translation turns University vices whole York young