Renaissance Drama, Volumen18

actors Allwit androgyne apricots argue argument Atlanta Atticus audience Bartholomew Fair behavior Ben Jonson body Bosola Bret Cambridge century character Cinna claim comedy comic Cordelia Corneille corruption Coryat critics culture dead death discourse disguise doth dramatist Duchess of Malfi Elizabethan English Essays F. L. Lucas father female feminine feminist figure final fruit gender Gloriana gossips hand Horace human imitation Irish Jacobean John John Webster Jonson justice Kent Kent's kind King Lear Lady Le Cid Lear's lines literary Livie London Maid's Tragedy male Marlovian Marlowe Marlowe's marriage Mary masculine masque Misogynos modern patriarchal Perillus play play's poet poetaster poetic political production reason Renaissance Revenger's Revenger's Tragedy role says scene script sense sexual Shakespeare social speaks stage Stubbes Swetnam symbolic theater theatrical tion tradition tragedy tragic unmasking Venice Vindice Vindice's violence Vittoria Volpone vols Webster White Devil woman women words writes Yellowhammer