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glancing across the bay. Sometimes, when a rainy day sets in, I run down to my friend's house, and ask leave to browse about the library,—not so much for the sake of reading, as for the intense enjoyment I have in turning over the books that have a personal history as it were. Many of them once belonged to authors whose libraries have been dispersed. My friend has enriched her editions with autographic notes of those fine spirits who wrote the books which illumine her shelves, so that one is constantly coming upon some fresh treasure in the way of a literary curiosity. I am apt to discover something new every time I take down a folio or a miniature volume. As I ramble on from shelf to shelf,

"TO MARIANNE HUNT. "Her Boccacio (alter et idem) come back to her after many years' absence, for her good-nature in giving it away in a foreign country to a traveller whose want of books was still worse than her

own.

66

"From her affectionate husband,
"LEIGH HUNT.
August 23, 1839 - Chelsea, England."

This record tells a most interesting story, and reveals to us an episode in the life of the poet, well worth the knowing. I hope no accident will ever cancel this old leather-bound veteran from the world's bibliographic treasures. Spare

"Straight mine eye hath caught new pleas- it, Fire, Water, and Worms! for it does

ures,"

and the hours often slip by into the afternoon, and glide noiselessly into twilight, before dinner-time is remembered.

Drifting about only a few days ago, I came by accident upon a magic quarto, shabby enough in its exterior, with one of the covers hanging by the eyelids, and otherwise sadly battered, to the great disfigurement of its external aspect. I did not remember even to have seen it in the library before, (it turned out to be a new comer,) and was about to pass it by with an unkind thought as to its pauper condition, when it occurred to me, as the lettering was obliterated from the back, I might as well open to the title-page and learn the name at least of the tattered stranger. And I was amply rewarded for the attention. It turned out to be "The Novels and Tales of the Renowned John Boccacio, The first Refiner of Italian Prose: containing A Hundred Curious Novels, by Seven Honorable Ladies and Three Noble Gentlemen, Framed in Ten Days." It was printed in London in 1684, "for Awnsham Churchill, at the Black Swan at Amen Corner." But what makes this old yellow-leaved book a treasure-volume for all time is the inscription on the first fly-leaf, in the handwriting of a man of genius, who, many years ago, wrote thus on the blank page:

the heart good to handle such a quarto.

One does not need to look far among the shelves in my friend's library to find companion-gems of this antiquated tome. Among so many of

"The assembled souls of all that men held wise,"

there is no solitude of the mind. I reach out my hand at random, and, lo! the first edition of Milton's "Paradise Lost"! It is a little brown volume, “ Printed by S. Simmons, and to be sold by S. Thomson at the Bishop's-Head in Duck Lane, by H. Mortlack at the White Hart in Westminster Hall, M. Walker under S'. Dunstan's Church in Fleet Street, and R. Boulten at the Turk's Head in Bishopsgate Street, 1668." Foolish old Simmons deemed it necessary to insert over his own name the following notice, which heads the Argument to the Poem:

"THE PRINTER TO THE READER.

"Courteous Reader, There was no Argument at first intended to the Book, but for the satisfaction of many that have desired it, I have procured it, and withall a reason of that which stumbled many others, why the Poem Rimes not."

The "Argument," which Milton omit

ted in subsequent editions, is very curious throughout; and the reason which the author gives, at the request of Mr. Publisher Simmons, why the poem "Rimes not," is quaint and well worth transcribing an extract here, as it does not always appear in more modern editions. Mr. Simmons's Poet is made to say,—

"The Measure is English Heroic Verse without Rime, as that of Homers in Greek, and of Virgil in Latin; Rime being no necessary Adjunct or true Ornament of Poem or good Verse, in longer Works especially, but the Invention of a barbarous Age, to set off wretched matter and lame Meeter; grac't indeed since by the use of some famous modern Poets, carried away by Custom, but much to thir own vexation, hindrance, and constraint to express many things otherwise, and for the most part worse then else they would have exprest them."

We give the orthography precisely as Milton gave it in this his first edition.

There is a Table of Errata prefixed to this old copy, in which the reader is told,

"for hundreds read hunderds.

"for we read wee."

Master Simmons's proof-reader was no adept in his art, if one may judge from the countless errors which he allowed to creep into this immortal poem when it first appeared in print. One can imagine the identical copy now before us being handed over the counter in Duck Lane to some eager scholar on the look-out for something new, and handed back again to Mr. Thomson as too dull a looking poem for his perusal. Mr. Edmund Waller entertained that idea of it, at any rate.

One of the sturdiest little books in my friend's library is a thick-set, stumpy old copy of Richard Baxter's "Holy Commonwealth," written in 1659, and, as the title-page informs us, "at the invitation of James Harrington Esquire,"— as one would take a glass of Canary,- by invitation! There is a preface addressed "To all those in the Army or elsewhere, that have caused our many and great

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Connected with the Bard of the Lakes is another work in my friend's library, which I always handle with a tender interest. It is a copy of Wordsworth's Poetical Works, printed in 1815, with all the alterations afterwards made in the pieces copied in by the poet from the edition published in 1827. Some of the changes are marked improvements, and nearly all make the meaning clearer. Now and then a prosaic phrase gives place to a more poetical expression. The wellknown lines,

"Of Him who walked in glory and in joy, Following his plough along the mountainside," read at first,

"Behind his plough upon the mountain-side."

In a well-preserved quarto copy of "Rasselas," with illustrations by Smirke, which my friend picked up in London a few years ago, I found the other day an unpublished autograph letter from Dr. Johnson, so characteristic of the great man that it is worth transcribing. It is addressed

"To the Reverend Mr. Compton. "To be sent to Mrs. Williams." And it is thus worded:"SIR.

"Your business, I suppose, is in a way of as easy progress as such business ever has. It is seldom that event keeps pace with expectation.

"The scheme of your book I cannot say that I fully comprehend. I would not have you ask less than an hundred guineas, for it seems a large octavo.

"Go to Mr. Davis, in Russell Street, show him this letter, and show him the book if he desires to see it. He will tell you what hopes you may form, and to what Bookseller you should apply.

"If you succeed in selling your book, you may do better than by dedicating it to me. You may perhaps obtain permission to dedicate it to the Bishop of London, or to Dr. Vyse, and make way by your book to more advantage than I can procure you.

"Please to tell Mrs. Williams that I grow better, and that I wish to know how she goes on. You, Sir, may write for her to,

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Dear kind-hearted old bear! On turning to Boswell's Life of his Ursine Majesty, we learn who Mr. Compton was. When the Doctor visited France in 1775, the Benedictine Monks in Paris entertained him in the most friendly way. One of them, the Rev. James Compton, who had left England at the early age of six to reside on the Continent, questioned him pretty closely about the Protestant faith, and proposed, if at some future time he should go to England to consider the subject more deeply, to call at Bolt Court. In the summer of 1782 he paid the Doctor a visit, and informed him of his desire to be admitted into the Church of England. Johnson managed the matter satisfactorily for him, and he was received into communion in St. James's Parish Church. Till the end of January, 1783, he lived entirely at the Doctor's expense, his own means being very scanty. Through Johnson's kindness he was nominated Chaplain at the French Chapel of St. James's, and in 1802 we hear of him as being quite in favor with the excellent Bishop Porteus and several

other distinguished Londoners. Thus, by the friendly hand of the hard-working, earnest old lexicographer, Mr. Compton was led from deep poverty up to a secure competency, and a place among the influential dignitaries of London society. Poor enough himself, Johnson never shrank back, when there was an honest person in distress to be helped on in the battle of life. God's blessing on his memory for all his sympathy with struggling humanity!

My friend has an ardent affection for Walter Scott and Charles Lamb. I find the first edition of "Marmion," printed in 1808, "by J. Ballantyne & Co. for Archibald Constable and Company, Edinburgh," most carefully bound in savory Russia, standing in a pleasant corner of the room. Being in quarto, the type is regal. Of course the copy is enriched with a letter in the handwriting of Sir Walter. It is addressed to a personal friend, and is dated April 17, 1825. The closing passage in it is of especial interest.

"I have seen Sheridan's last letter imploring Rogers to come to his assistance. It stated that he was dying, and concluded abruptly with these words 'they are throwing the things out of window.' The memorialist certainly took pennyworths out of his friend's character.-I sate three hours for my picture to Sir Thomas Lawrence during which the whole conversation was filled up by Rogers with stories of Sheridan, for the least of which if true he deserved the gallows. "Ever Yours,

"WALTER SCOTT."

In the April of 1802 Scott was living in a pretty cottage at Lasswade; and while there he sent off the following letter, which I find attached with a wafer to my friend's copy of the Abbotsford edition of his works, and written in a much plainer hand than he afterwards fell into. The address is torn

off.

more might have been made. It may here be said that probably there is hardly an influence which tends so powerfully to produce extreme self-complacency as the conviction, that, as regards some one physical accomplishment, one is a person of whom more could not have been made. It is a proud thing to think that you stand decidedly ahead of all mankind that Eclipse is first, and the rest nowhere; even in the matter of keeping up six balls at once, or of noting and remembering twenty different objects in a shop-window as you walk past it at five miles an hour. I do not think I ever beheld a human being whose aspect was of such unutterable pride as a man I lately saw playing the drum as one of a certain splendid military band. He was playing in a piece in which the drum music was very conspicuous; and even an unskilled observer could remark that his playing was absolute perfection. He had the thorough mastery of his instrument. He did the most difficult things not only with admirable precision, but without the least appearance of effort. He was a great, tall fellow: and it was really a fine sight to see him standing very upright, and immovable save as to his arms, looking fixedly into distance, and his bosom swelling with the lofty belief, that, out of four or five thousand persons who were present, there was not one who, to save his life, could have done what he was doing so easily.

As

So much of physical dexterity. for physical grace, it will be admitted that in that respect more might be made of most human beings. It is not merely that they are ugly and awkward naturally, but that they are ugly and awkward artificially. Sir Bulwer Lytton, in his earlier writings, was accustomed to maintain, that, just as it is a man's duty to cultivate his mental powers, so is it his duty to cultivate his bodily appearance. And doubtless all the gifts of Nature are talents committed to us to be improved; they are things intrusted to us to make the best of. It may be difficult to fix the point at which the care of personal ap

pearance in man or woman becomes excessive. It does so unquestionably when it engrosses the mind to the neglect of more important things. But I suppose that all reasonable people now believe that scrupulous attention to personal cleanliness, freshness, and neatness is a Christian duty. The days are past, almost everywhere, in which piety was held to be associated with dirt. Nobody would mention now, as a proof how saintly a human being was, that, for the love of God, he had never washed his face or brushed his hair for thirty years. And even scrupulous neatness need bring with it no suspicion of puppyism. The most trim and tidy of old men was good John Wesley; and he conveyed to the minds of all who saw him the notion of a man whose treasure was laid up beyond this world, quite as much as if he had dressed in such a fashion as to make himself an object of ridicule, or as if he had forsworn the use of soap. Some people fancy that slovenliness of attire indicates a mind above petty details. I have seen an eminent preacher ascend the pulpit with his bands hanging over his right shoulder, his gown apparently put on by being dropped upon him from the vestry ceiling, and his hair apparently unbrushed for several weeks. There was no suspicion of affectation about that good man; yet I regarded his untidiness as a defect, and not as an excellence. He gave a most eloquent sermon; yet I thought it would have been well, had the lofty mind that treated so admirably some of the grandest realities of life and of immortality been able to address itself a little to the care of lesser things. I confess, that, when I heard the Bishop of Oxford preach, I thought the effect of his sermon was increased by the decorous and careful fashion in which he was arrayed in his robes. And it is to be admitted that the grace of the human aspect may be in no small measure enhanced by bestowing a little pains upon it. You, youthful matron, when you take your little children to have their photographs taken, and when their nurse, in contemplation

of that event, attired them in their most tasteful dresses and arranged their hair in its prettiest curls, you know that the little things looked a great deal better than they do on common days. It is pure nonsense to say that beauty when unadorned is adorned the most. For that is as much as to say that a pretty young woman, in the matter of physical appearance, is a person of whom no more can be made. Now taste and skill can make more of almost anything. And you will set down Thomson's lines as flatly opposed to fact, when your lively young cousin walks into your room to let you see her before she goes out to an evening party, and when you compare that radiant vision, in her robes of misty texture, and with hair arranged in folds the most complicated, wreathed, and satin-shoed, with the homely figure that took a walk with you that afternoon, russetgowned, tartan-plaided, and shod with serviceable boots for tramping through country mud. One does not think of loveliness in the case of men, because they have not got any; but their aspect, such as it is, is mainly made by their tailors. And it is a lamentable thought, how very ill the clothes of most men are made. I think that the art of draping the male human body has been brought to much less excellence by the mass of those who practise it than any other of the useful and ornamental arts. Tailors, even in great cities, are generally extremely bad. Or it may be that the providing the human frame with decent and well-fitting garments is so very difficult a thing that (save by a great genius here and there) it can be no more than approximated to. As for tailors in little country villages, their power of distorting and disfiguring is wonderful. When I used to be a country clergyman, I remember how, when I went to the funeral of some simple rustic, I was filled with surprise to see the tall, strapping, fine young country lads, arrayed in their black suits. What awkward figures they looked in those unwonted garments! How different from their easy, natural appearance in their

every-day fustian! Here you would see a young fellow with a coat whose huge collar covered half his head when you looked at him from behind; a very common thing was to have sleeves which entirely concealed the hands; and the wrinkled and baggy aspect of the whole suits could be imagined only by such as have seen them. It may be remarked here, that those strong country lads were in another respect people of whom more. might have been physically made. Oh for a drill-sergeant to teach them to stand upright, and to turn out their toes, and to get rid of that slouching, hulking gait which gives such a look of clumsiness and stupidity! If you could but have the well-developed muscles and the fresh complexion of the country with the smartness and alertness of the town! You have there the rough material of which a vast deal may be made; you have the water-worn pebble which will take on a beautiful polish. Take from the moorland cottage the shepherd lad of sixteen; send him to a Scotch college for four years; let him be tutor in a good family for a year or two; and if he be an observant fellow, you will find in him the quiet, self-possessed air and the easy address of the gentleman who has seen the world. And it is curious to see one brother of a family thus educated and polished into refinement, while the other three or four, remaining in their father's simple lot, retain its rough manners and its unsophisticated feelings. Well, look at the man who has been made a gentleman, — probably by the hard labor and sore self-denial of the others, -and see in him what each of the others might have been! Look with respect on the diamond which needed only to be polished! Reverence the undeveloped potential which circumstances have held down! Look with interest on these people of whom more might have been made!

Such a sight as this sometimes sets us thinking how many germs of excellence are in this world turned to no account. You see the polished diamond and the rough one side by side. It is too late

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