The Development of Dramatic Criticism in England and Spain During the Elizabethan Period and the Golden Age

accepted according achieved acting action actors aesthetic ancient appear appropriate Artieda artistic aspects attack audience authority better Carballo Cervantes character classical comedy common conception contemporary continued conventions creative Cueva decorum defense delight demand desire divine doth drama dramatic criticism dramatist effect Elizabethan English ethical example experience express fact function give Golden Age grounds historical human humours idea imagination imitation importance inspiration instruct interpretation issues John Jonson kind language laws learne Literary lives matter means Michigan mind moral nature never object observe passage period person play players playes pleasure plot poet Poeta poetic poetry popular position practice precepts present principles pues Puritan reason regard represent seems Sidney social Spanish stage suggested technique theater theory things tion tragedy true truth unities virtue writing