Public Radio and Television in America: A Political History
SAGE Publications, 1996 M04 22 - 342 páginas
The origins and evolution of the major insititutions in the United States for noncommercial radio and television are explored in this unique volume.
Ralph Engelman examines the politics behind the development of National Public Radio, Radio Pacifica and the Public Broadcasting Service. He traces the changing social forces that converged to launch and shape these institutions from the Second World War to the present day. The book challenges several commonly held beliefs - including that the mass media is simply a manipulative tool - and concludes that public broadcasting has an enormous potential as an emancipatory vehicle.
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Independent producers , who are not salaried staff members of NPR or member stations , constituted another vital , heterogeneous but struggling constituency in public radio . Freelancers make substantial contributions to NPR's news ...
Independent producers played an even lesser role in public radio than in public television . “ Words like ' diversity ' and ' innovation , ” independent producer Jay Allison ( 1992 ) wrote bitterly , " are the inflated paper currency of ...
From the outset , Frontline's relationship with independent producers was no less complex than its position within the public television system . The CPB originally launched Frontline with a $ 5 million Program Fund grant , the largest ...
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The Public Origins of American Broadcasting
The Defeat of the Broadcast Reform Movement of the 1930s
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