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FRIEDRICH DUERRENMATT Problems of the Theatre
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Absurd action actor appear artistic assertion audience become beginning called characters comedy comes comic common complete concerned continuity course created critics death drama dramatist effect elements Elizabethan emotional essential example existence experience expression fact feeling figure final follow force function give given Hamlet hand happens hero human idea identity imagery imagination important individual instance interest kind language least less linear lines live look matter means mind move myth nature never object observed once performance perhaps persons play plot poet poetic possible present probability question reality reason relation religion represented sacred scene seems sense Shakespeare simply situation sort speak spectators speech stage story structure suggest symbol theatre thing thought tion tragedy tragic true truth turn understanding unity whole writing