Renaissance DramaLeonard Barkan Northwestern University Press, 1978 - 300 páginas "The essays... demonstrate how the celebratory mode bridges the gap between religion and monarchy, politics and aesthetics, high style and low style, and, as Burckhardt perceived, between life and art"--page vi. |
Contenido
Sir Philip Sidney | 3 |
Form in English Civic Pageantry | 37 |
The Three Realms of Queen | 57 |
Derechos de autor | |
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Términos y frases comunes
action allegorical antifestive antimasque Arcades Arcadians Arthur Arthurian audience Ben Jonson Captain Cox Cardinal Castle celebration characters chariot comedy countess country-house courtiers courtly Coventry Cox's Cupid dancing Dekker disguise dramatic Earl Elizabethan England Englands Helicon English entertainment Espilus festive fiction figure Foxe Foxe's garden George Gascoigne golden Gothic Harefield Helmingham Hall Henry Herford and Simpson history plays Honor ideal Inigo Jones Jacobean James John John Dowland Jonson Kenilworth Kenilworth Castle King King Arthur knights Lady landscape Laneham's Letter literary London Lord Love Restored Majestie Mayors medieval Meliadus Merlin Milton Mirame monarch moral Munday Orgel Oxford pageant pastoral performance Philip Sidney playwrights Plutus Poems poet poetic poetry political Prince printed Queen Elizabeth reign Renaissance revels Richelieu role romance royal Salle scene shepherds shows Sidney's song spectacle speech stage Stephen Orgel symbolic theater théâtre theatrical Therion Thomas tion triumph triumphal Tudor verses virtue