Renaissance DramaNorthwestern University Press, 1970 |
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Contenido
N W BAWCUTT Machiavelli and Marlowes The Jew of Malta | 3 |
MICHAEL HATTAWAY The Theology of Marlowes Doctor Faustus | 51 |
As You Like It II i 2166 | 79 |
Derechos de autor | |
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Términos y frases comunes
action actor Agrippa Amintor Aretino's Aristotle audience Augustine Bartholomew Fair Bassanes Book Borgia Calderón's Cambridge Cesare Borgia chapter characters Cockpit-in-Court comedy courtly criticism Dante death Discourses discussion disguise dissimulation Don Gutierre Don Juan Don Lope dramatists edition Elizabethan emblem English essay Evadne Evadne's evil fair's Faustus Ford's Gentillet George Gascoigne haue hero honor Horatian humanistic hunting Ibid ideas imagery ironic irony Ithocles Jaques Jew of Malta John Jonson King knowledge Laudun Livy London M. C. Bradbrook Machia Machiavel Machiavelli magic Maid's Tragedy Marlowe Marlowe's masque Mephostophilis metaphor moral murder night Orgilus Overdo Oxford passages passion Penthea play play's plot poem political Prince prologue Quarlous Queens reference Renaissance Renaissance Drama role Roman Rome scene Shakespeare siglo de oro sixteenth-century Smithfield stage symbolic theater theme tion tradition trans translation Tudor Tullus Hostilius tyrant University Vice W. W. Greg wisdom writings