Renaissance Drama and the LawFrances Elizabeth Dolan Northwestern University Press and the Newberry Library Center for Renaissance Studies, 1996 - 248 páginas Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance. The essays in this volume, Renaissance Drama and the Law, explore a range of relationships among Renaissance drama and legal texts, controversies, and trials in sixteenth- and seventeenth-century England. |
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Proof in | 1 |
CONSTANCE JORDAN Contract and Conscience in Cymbeline 333333 | 59 |
LUKE WILSON Promissory Performances | 89 |
Derechos de autor | |
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Términos y frases comunes
accusations action Anne Boleyn Anne's argue assumpsit attainder audience authority behavior Bellamy Cambridge canting canting language character claims common context contract court creditors crime criminal cross-dressing Crown cutpurses Cymbeline debt defamation deodand early modern England Elizabeth England English essay evidence example Falstaff female body figure fraudulent conveyance gender gift gift economy Harman's Henry VI Henry VIII Hermione History Howard Iachimo Imogen Jacobean John justice king language Leontes Literary literature London male marriage meaning medieval mercy Merry Wives Mistress Moll Moll's monarch Monticelso morality plays Oxford pamphlets pardon Parliament performance play's political Posthumus Posthumus's promiscuous promise punishment queen rape Renaissance Renaissance Drama representation rhetorical Roaring Girl rogues role Roman royal scene Shakespeare sixteenth century social specifically theatrical speech stage status suggests theater Thomas Timon Timon of Athens Trapdoor treason trial truth Tudor vagrants Vittoria's vols Winter's Tale woman women words York