New Theatres for Old

acting action actors Aeschylus already American Antoine appeared artistic audience Baroque became become beginning belief brought called carried century character Company continued conventional create critics curtain designers direction director drama dramatist effect elements Elizabethan emotional environment Epic example existence experience face fact George German give Group Group Theatre hand human idea illusion important interest Italy kind known later light living look means method mind movement Naturalism Naturalistic never objective once painted performance period picture platform play playhouse political possible practice present production reason remains Romantic scene scenery scenic script seems setting side Soviet spectator stage story style Symbolist symbols technique theatre theatrical thing thought tion truth turn walls whole workers writing York