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CONTENTS

OF

THE FIRST VOLUME.

ANNALS OF THE STAGE

The King's musicians and players, 1547.
Warwick Inn and Blackfriars.

Will Somers, jester to Henry VIII. and
Edward VI.

Proclamation against plays, &c., 1549.
against Players and Prin-

ters, 1552.
George Ferrers, Master of the king's
pastimes, 1552.

The play of Æsop's Crow, by G. Ferrers.
Plays, &c. before the Princess Eliza-
beth.

William Baldwin and his play, 1553.

Proclamation by Queen Mary against

interludes, 1553.

Plays suppressed for two years.
Stage-play at Hatfield-Bradock, 1556.
Orders by the Star-chamber against
theatrical performances, 1556.

A Sack full of News.

Plays and players in London, 1557.
The Queen's musicians and players, from
her household-book.

Mask and feats of activity, before the
Queen.

Miracle-plays in London, in 1557.

Proclamation against plays, 1558.
Sir R. Dudley's servants, 1559.
Players at court interrupted.
Sir Thomas Benger, Master of the
Revels, 1560.

Children of the Chapel of Windsor.

The Queen's musicians and players, 1562.

Ferrex and Porrex, and Julius Cæsar.

Masks, &c. for the meeting of Elizabeth

and Mary Queen of Scots, 1562.

Grindall's hostility to plays and players,

1563.

Edwards's tragedy, &c. before the Queen.
Ezechias, by Nicholas Udall, 1564.

Palamon and Arcyte, by Richard Ed-
wards, 1566.

Gray's-Inn Plays and court revels.
Apparel of the revels, in 1571.
Musical and Dramatic establishments

From the year 1575 to the year 1585....p. 213.

Lord Mayor and Corporation of London

opposed to theatrical performances.

Petition of the Queen's players.

Remedies for the evil of plays, 1576.

Players expelled from the City.

Building of Blackfriars play-house by

James Burbadge and others, 1576.

The Theatre and Curtain in Moorfields.
Robert Wilson and John Lane or Lane-
ham.

Sir Jerome Bowes and his theatrical

project, 1577.

Shews, &c. at Kenilworth Castle.

William Hunnis's interludes.

Edmund Tylney, Master of the Revels,

1579.

John Lyly's petition for the office.

John Smith, an interlude player, 1581.

Renewed hostility of the City to plays.

Observation of the Sabbath, 1582.

Accident at Paris Garden, 1583.

John Field's letter to Lord Leicester.
The Queen's company of players, 1583.
The Queen's musicians and players in

1585.

Recorder Fleetwood's reports to Lord
Burghley.

From the year 1585 to the year 1599....p. 261.

Sir Francis Walsingham's Intelligencer's

Letter, 1586.

Warrant to Thomas Gyles, master of the
children of Paul's.

Plays by the gentlemen of Gray's Inn.
Lord Bacon's letter to Lord Burghley,
1588.

Mask given by Elizabeth to James VI.
of Scotland, 1589.
Players silenced for bringing Martin
Marprelate on the stage, 1589.
Commissioners to inspect plays.
The Children of Paul's silenced, 1590.

George Peele's verses to the Queen at
Theobalds, 1591.
Theatrical performances near Cam-

bridge and in the University, 1593.
Repair of Blackfriars theatre in 1596.
Petition by William Shakespeare, Rich-

ard Burbage, and others to the
Privy-Council, 1596.

Debts of the Queen's office of the revels.
Letter from Thomas Nash to Sir R.
Cotton, and his Isle of Dogs, 1597.
Limitation of the right of playing to
two theatres, 1598.

From the year 1599 to the death of Elizabeth.....p. 311.

Building of the Fortune theatre, 1599.
The Fortune and Globe theatres only

allowed, 1600.

Personalities in Plays at the Curtain,1601.
Disputes between the court and city.
The Queen's players dissolved.
The Lord Chamberlain's, Lord Pem-

broke's, Lord Derby's, and Lord
Admiral's players at court, 1601.
Diary of a Barrister in 1601, 1602, and
1603.

Song in a mask before Elizabeth, 1602.

The Queen entertained at Sir R. Cecill's
and the Lord Keeper's, 1602.
Performance of Shakespeare's Twelfth
Night in 1691-2.

Anecdote of Shakespeare and Richard
Burbage.

Anecdotes of Ben Jonson, John Mars-
ton, Edmund Spenser, Sir W. Raw.
ley, and Sir J. Davies.

Death of Queen Elizabeth, 1603.
The Earl of Essex and the Queen's ring.
List of theatres in London.

From the accession of James I. to the year 1617...

English players at Edinburgh, 1599.
Plays suspended on the accession of
James I.

License of 1603 to L. Fletcher, W.
Shakespeare, and others.

Queen's and Prince's servants.
Children of the Queen's Revels under
Samuel Daniel, 1604.

Eastward, Ho! and the Tragedy of
Gowry.

The King's musicians and players.
Stat. 1 Jac. I., c. 78, regarding the

players of the nobility.

Ben Jonson's MS. masks, 1605 and 1606.
Stat. 3, Jac. I., c. 21, agains oaths in
plays.

.p. 344.

Shakespeare's retirement as an actor.
Sir George Buc, Master of the Revels,

1610.

Death of Prince Henry, 1612.

Patent of 1612 to the Prince Palatine's
players.

Players sent to Bridewell, 1613.
Phoenix, or Cockpit theatre, in Drury-

lane constructed.

The Globe theatre burnt, 1613.
Paris Garden rebuilt, 1614.
Shakespeare's removal from London.
New theatre in Blackfriars projected,

1616.

Attack upon the Cockpit playhouse
1617.

From the year 1617 to the death of James I.....p. 406.

Play concerning the Marquis d'Ancre,
1617.

Plays during the King's progress, 1618.
The Queen's Servants of her royal
chamber of Bristol, 1618.

The King's Declaration regarding sports
and pastimes, 1618.
Attempts by the City to suppress the
Blackfriars theatre, 1619.

Patent in 1619 to the King's players at
the Globe and Blackfriars.
Sir John Astley, Master of the Revels.
Projected amphitheatre in Lincoln's-
inn-fields, 1620.

King's letter to cancel the patent.
The Fortune theatre burnt, 1621.
Death of Richard Burbage, and notice
of some of his chief parts, 1620.
Sir Henry Herbert, Deputy Master of
the Revels, 1622.

Plays licensed by Sir George Buc.
J. Fletcher's plays distinguished from
those of F. Beaumont.

Fatal accident at the Blackfriars, 1623.
Plays licensed by Sir Henry Herbert

prior to 1625.

Middleton's Game of Chess, and the

offence given by it, 1624.

ANNALS OF THE STAGE,

FROM THE EARLIEST TIMES TO THE
REIGN OF HENRY VIII.

No country of Europe, since the revival of letters, has been able to produce any notice of theatrical performances of so early a date as England *. That notice was first published by Stow in his Survey of London, 1599, who discovered it in the Vita Sancti Thomæ Archiepiscopi et Martyris, by William Fitzstephen, In that work the author inserts a description nobilissimæ civitatis Lundonia, which contains the following passage: Lundonia pro spectaculis theatralibus, pro ludis scenicis, ludos habet sanctiores, representationes miraculorum quæ sancti confessores operati sunt, seu representationes passionum quibus claruit constantia martyrum †.

*The plays of Roswitha, a nun of Gandersheim, in Lower Saxony, who wrote at the close of the tenth century, and which are mentioned in a note by the Editor of the last edition of Warton's Hist. Eng. Poet., ii. 68, were not represented.

+ There is a slight difference in the mode in which these words have been translated into English. Stow gives them thus: London, 'for the shews upon theaters, and comical pastimes, hath holy playes, 'representations of miracles, which holy confessors have wrought; 'or representations of tormentes, wherein the constancie of martirs ' appeared.' (Survey, 1599, p. 68.) Warton renders them compenVOL. I.

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