The Poetical Works of William Wordsworth, Volumen4Longman, Rees, Orme, Brown and Green, 1827 |
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Página 361
... compositions ; and I acknowledge that this defect , where it exists , is more dishonourable to the Writer's own character than false refinement or arbitrary inno- vation , though I should contend at the same time , that it is far less ...
... compositions ; and I acknowledge that this defect , where it exists , is more dishonourable to the Writer's own character than false refinement or arbitrary inno- vation , though I should contend at the same time , that it is far less ...
Página 367
... composition of Gray , who was at the head of those who , by their reasonings , have attempted to widen the space of separation betwixt Prose and Metrical composition , and was more than any other man curiously elaborate in the structure ...
... composition of Gray , who was at the head of those who , by their reasonings , have attempted to widen the space of separation betwixt Prose and Metrical composition , and was more than any other man curiously elaborate in the structure ...
Página 368
... composition . We are fond of tracing the resemblance between Poetry and Painting , and , accordingly , we call them Sisters : but where shall we find bonds of connexion sufficiently strict to typify the affinity betwixt metrical and ...
... composition . We are fond of tracing the resemblance between Poetry and Painting , and , accordingly , we call them Sisters : but where shall we find bonds of connexion sufficiently strict to typify the affinity betwixt metrical and ...
Página 369
... composition from the vulgarity and meanness of ordinary life ; and , if metre be superadded thereto , I believe that a dissimilitude will be produced altogether sufficient for the gratification of a rational mind . What other ...
... composition from the vulgarity and meanness of ordinary life ; and , if metre be superadded thereto , I believe that a dissimilitude will be produced altogether sufficient for the gratification of a rational mind . What other ...
Página 376
... composition where the Poet speaks through the mouths of his characters ; and upon this point it appears to have such weight , that I will conclude , there are few persons of good sense , who would not allow that the dramatic parts of ...
... composition where the Poet speaks through the mouths of his characters ; and upon this point it appears to have such weight , that I will conclude , there are few persons of good sense , who would not allow that the dramatic parts of ...
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The Poetical Works of William Wordsworth: With a Memoir, Volumen4 William Wordsworth Vista completa - 1865 |
Términos y frases comunes
Banner Barden Fell Barden Tower beautiful behold beneath bless Bolton Bolton Abbey bowers brave breast breath bright calm Canute cheer Child city of Durham Coniston Creature curacy dark dear deep delight doth Duddon earth Emily endeavour fair fear feelings flowers Francis Friend gentle gliding grace grave green hand happy hath hear heard heart Heaven hill holy honour hope human Isle of Walney Lady language live lonely look Lord Loweswater Maid metre mind morning mortal Mother mountain murmur nature Norton o'er passion peace pleasure Poem Poet Poetry prayer Reader River RIVER DUDDON Robert Walker rocks round Rylstone Seathwaite side sigh sight silent Simon rouse sing smooth solitude song Sonnets sorrow soul spirit spread stand stood sweet tears thee things thou thought Tower Trajan trees Ulpha vale voice Wharf whence White Doe wind youth
Pasajes populares
Página 350 - Upon the growing Boy, But He beholds the light, and whence it flows, He sees it in his joy; The Youth, who daily farther from the east Must travel, still is Nature's Priest, And by the vision splendid Is on his way attended; At length the Man perceives it die away, And fade into the light of common day.
Página 213 - I HEARD a thousand blended notes, While in a grove I sate reclined, In that sweet mood when pleasant thoughts Bring sad thoughts to the mind. To her fair works did Nature link The human soul that through me ran ; And much it grieved my heart to think What man has made of man.
Página 360 - Humble and rustic life was generally chosen, because, in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language ; because in that condition of life our elementary feelings coexist in a state of greater simplicity, and, consequently, may be more accurately contemplated, and more forcibly communicated...
Página 352 - Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realized...
Página 294 - The task, in smoother walks to stray; But thee I now would serve more strictly, if I may. Through no disturbance of my soul, Or strong compunction in me wrought, I supplicate for thy control; But in the quietness of thought: Me this unchartered freedom tires; I feel the weight of chance-desires: My hopes no more must change their name, I long for a repose that ever is the same.
Página 350 - See, at his feet, some little plan or chart, Some fragment from his dream of human life, Shaped by himself with newly-learned art ; A wedding or a festival, A mourning or a funeral...
Página 347 - As to the tabor's sound, To me alone there came a thought of grief: A timely utterance gave that thought relief, And I again am strong...
Página 333 - So once it would have been, — 'tis so no more ; I have submitted to a new control : A power is gone, which nothing can restore ; A deep distress hath humanised my Soul.
Página 367 - And in my breast the imperfect joys expire; Yet Morning smiles the busy race to cheer, And new-born pleasure brings to happier men; The fields to all their wonted tribute bear; To warm their little loves the birds complain. I fruitless mourn to him that cannot hear And weep the more because I weep in vain.
Página 367 - ... that not only the language of a large portion of every good poem, even of the most elevated character, must necessarily, except with reference to the metre, in no respect differ from that of good prose, but likewise that some of the most interesting parts of the best poems will be found to be strictly the language of prose when prose is well written. The truth of this assertion might be demonstrated by innumerable passages from almost all the poetical writings, even of Milton himself.