English Dramatic Theories: From Elyot to the Age of Dryden (1531-1668), by Norbert H. Platz

acknowledge action actors affections Ancients answer appear argument audience beginning better blank verse bring called cause characters Comedy common concernment conclude Corneille Crites delight difference discourse Drama English equal example excellent express farther faults Fletcher follow fortune French give greater greatest hand hath haue hear History humour imagine imitation Italy John Johnson judge judgment kind language learned least leave less lively look manner matter mean mind mirth Nature never object observed pass passions perfect persons Plautus play Playes plot poem Poesy poets present prove reason relation represented rest rhyme rule scenes sense Shakespeare shew short sometimes speak stage Studies things thou thought Tragedy true truth understand verse vice virtue whole writ write written