Dissent, Volumen55Dissent Publishing Corporation, 2008 |
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Página 78
... writes , " through all the darkness , guilt , misery and oblivion , the rain of beauty never ended . " Who knew ? Elsewhere , he describes modern com- position as a “ sunken cathedral ” that is at long last attracting attention . Young ...
... writes , " through all the darkness , guilt , misery and oblivion , the rain of beauty never ended . " Who knew ? Elsewhere , he describes modern com- position as a “ sunken cathedral ” that is at long last attracting attention . Young ...
Página 80
... writes . But he demands the Gershwin of the concert hall . He stresses the man's sophisti- cated musical training and twice tells us the story of an encounter with Alban Berg . Gershwin , Ross reports , was " awestruck " by Berg's ...
... writes . But he demands the Gershwin of the concert hall . He stresses the man's sophisti- cated musical training and twice tells us the story of an encounter with Alban Berg . Gershwin , Ross reports , was " awestruck " by Berg's ...
Página 121
... writes in A Feast in the Garden , " is neither the truth nor a pack of lies ; it is fable ; the dance of un- reliable fingers on a switchboard . " In their refusal to conform to a single , re- alist form , The Agenda novels not only ...
... writes in A Feast in the Garden , " is neither the truth nor a pack of lies ; it is fable ; the dance of un- reliable fingers on a switchboard . " In their refusal to conform to a single , re- alist form , The Agenda novels not only ...
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