L'Esprit Créateur, Volumen11L'Esprit créateur., 1971 |
Dentro del libro
Resultados 1-3 de 33
Página 50
... interest . And as we listen to Oreste's speech to Pyrrhus in the next scene ( I.ii ) we understand that his heroic bluster is not pure coin . The juxtaposition of these two scenes is of the highest importance in understanding the ...
... interest . And as we listen to Oreste's speech to Pyrrhus in the next scene ( I.ii ) we understand that his heroic bluster is not pure coin . The juxtaposition of these two scenes is of the highest importance in understanding the ...
Página 59
... interest for the literary scholar by their clear demonstration that the originality and depth of Racine's tragedy depends largely upon the way this miniscule vocabulary is made to carry a multiplicity of meaning . In addition we should ...
... interest for the literary scholar by their clear demonstration that the originality and depth of Racine's tragedy depends largely upon the way this miniscule vocabulary is made to carry a multiplicity of meaning . In addition we should ...
Página 121
... interest , serious purpose , and hard work , all of these unquestionably went into its composition . But they could not suffice even so gifted a poet as La Fontaine when there was no real inspiration , when indeed none was possible ...
... interest , serious purpose , and hard work , all of these unquestionably went into its composition . But they could not suffice even so gifted a poet as La Fontaine when there was no real inspiration , when indeed none was possible ...
Contenido
Vol XI No 3 Fall | 3 |
Contents | 6 |
Mary Ann CawsA Rereading of the Traces | 14 |
Derechos de autor | |
Otras 11 secciones no mostradas
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Términos y frases comunes
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