Theatre for Shakespeare

action Alfred Harbage Alleyn artists assume attitude audience boys Burbage Burbage's century characters classical criticism curtained Davenant directors drama dumbshow E. K. Chambers E. M. W. TILLYARD effect Elizabethan acting Elizabethan stage emotional English actors entrance episodes evidence F. O. MATTHIESSEN fact film Flecknoe follow formal acting gallery gesture Granville-Barker H. W. GARROD Hamlet Hamlet's advice imaginative interpretation intervals Juliet kind later least lectures less lines M. C. Bradbrook means Michel Baron modern stage natural acting Old Vic orchard orchestras original particular performance persons platform players playhouse plays of Shakespeare poetry present proscenium prove Quintilian rarely rear recess repertory Restoration roles Roscius scene scenic script seems Shake Shakespeare's plays Shakespearean production simply speak speare spectators speech stage directions suggested symphony Tamburlaine texts THEATRE FOR SHAKESPEARE theatrical thing Thomas Betterton tion tradition Tragedy voices William Poel words