Renaissance DramaNorthwestern University Press, 1989 |
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Contenido
LEAH S MARCUS Textual Indeterminacy and Ideological | 1 |
Ideological | 31 |
Madness | 51 |
Derechos de autor | |
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Términos y frases comunes
ambiguity Anthony's antitheatrical Antony and Cleopatra argues audience Bacon's Bianca plot Bosola's Cambridge character Christopher Marlowe Cleopatra Comedy comic conventional Coppélia cosmetics Criticism cultural death devil Doctor Faustus dramatists Duchess of Malfi early Elizabethan England English Renaissance Essays Essex Faustus's female feminine fiction fool Ford's gender Gosson Greg Hamlet hath Henry Henry's hierarchy human husband ideology Jacobean John Katherine King language London Luce madness Marlowe Marlowe's marriage masculine Mother Sawyer painting passion patriarchal Perkin Warbeck Petruchio play's poetry political Protestant public theater quarto queen religious Renaissance Drama Renaissance stage role Roman romantic love Saint Anthony saint play Saint Sebastian scene sexual Shakespeare Shrew sixteenth century social speech stage Antonios suggests Taming theater theatrical Thomas threat tracts traditional Tragedy transgression truth Twelfth Night vols Wertenberg wife wise folly witch Witch of Edmonton witchcraft woman women words York