A Handbook of the History of Painting, from the Age of Constantine the Great to the Present Time, Parte1John Murray, 1842 - 444 páginas |
Dentro del libro
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Página 6
... drapery often with a short mantle depending from the shoulders , almost resembling the priestly casula . A peculiar idyllic character pervades these designs , and involuntarily invites to calm meditation : among the most graceful , is a ...
... drapery often with a short mantle depending from the shoulders , almost resembling the priestly casula . A peculiar idyllic character pervades these designs , and involuntarily invites to calm meditation : among the most graceful , is a ...
Página 11
... drapery ; while the portraits which are occasionally introduced exhibit the ungraceful costume of some particular fashion . It is only in the great catacombs of Naples that a 4 few paintings in the early Christian manner have been ...
... drapery ; while the portraits which are occasionally introduced exhibit the ungraceful costume of some particular fashion . It is only in the great catacombs of Naples that a 4 few paintings in the early Christian manner have been ...
Página 12
... drapery ; what is seen of the figure is otherwise naked . The face is oval , with a straight nose , arched eyebrows , a smooth and rather high forehead : * Compare Münter , Sinnbilder , und Kunstvorstellungen der alten Christen , ii ...
... drapery ; what is seen of the figure is otherwise naked . The face is oval , with a straight nose , arched eyebrows , a smooth and rather high forehead : * Compare Münter , Sinnbilder , und Kunstvorstellungen der alten Christen , ii ...
Página 18
... drapery , with its measured folds , gives the impression of an ele- vated nature , unruffled by earthly passion . Individual life is indeed wanting , and they appear still more defect- ive in execution than the works of an earlier ...
... drapery , with its measured folds , gives the impression of an ele- vated nature , unruffled by earthly passion . Individual life is indeed wanting , and they appear still more defect- ive in execution than the works of an earlier ...
Página 20
... drapery , cannot be mistaken . § IX . In these paintings we discern the last ray of the most ancient Christian art . In Italy , by the war with the Greeks , and the dominion of the Lombards and Carlovingians , all existing relations ...
... drapery , cannot be mistaken . § IX . In these paintings we discern the last ray of the most ancient Christian art . In Italy , by the war with the Greeks , and the dominion of the Lombards and Carlovingians , all existing relations ...
Otras ediciones - Ver todas
A Hand-Book of the History of Painting: From the Age of Constantine the ... Charles Lock Eastlake,Franz Kugler Sin vista previa disponible - 2023 |
A Hand-Book of the History of Painting: From the Age of Constantine the ... Charles Lock Eastlake,Franz Kugler Sin vista previa disponible - 2023 |
Términos y frases comunes
Academy Adoration allegorical altar-picture altarpiece Andrea angels antique appears artist ascribed Bartolommeo beautiful Bellini belong Berlin Museum Bologna Brera Byzantine Caracci cartoons celebrated century chapel character church Cimabue colour composition Coreggio countenance dignity distinguished Domenichino Domenico drapery Duomo engraved excellent executed expression feeling figures Filippino Lippi Florence Florentine Fra Bartolommeo Francesco Francis frescos gallery Ghirlandajo Giorgione Giotto Giovanni Giulio Romano graceful grand groups hand heads Holy Family imitation important Italian Italy kneels later period Leonardo Lorenzo Luca Signorelli Madonna and Child manner Maria Masaccio master mentioned Michael Angelo Milan Naples noble painted painter palace Palazzo Paolo Paolo Veronese particularly Passavant peculiar Perugia Perugino picture Pietro Pinturicchio Pitti Pitti palace portraits principal Raphael remarkable representations represented Roman Rome Rumohr Saints scholars side Siena Sienese specimens style subjects tion Titian tures Uffizj at Florence Urbino Vasari Vatican Venetian Venetian school Venice Vinci Virgin wall
Pasajes populares
Página 3 - For he shall grow up before him as a tender plant, And as a root out of a dry ground. He hath no form nor comeliness; And when we shall see him, there is no beauty that we should desire him.
Página 13 - But thou, Beth-lehem Ephratah, though thou be little among the thousands of Judah, yet out of thee shall he come forth unto me that is to be ruler in Israel; whose goings forth have been from of old, from everlasting.
Página 46 - Credette Cimabue nella pittura Tener lo campo, ed ora ha Giotto il grido, Sì che la fama di colui è oscura.
Página 48 - A dame, to whom none openeth pleasure's gate More than to death, was, 'gainst his father's will, His stripling choice : and he did make her his, Before the spiritual court, by nuptial bonds, And in his father's sight : from day to day, Then loved her more devoutly.
Página 65 - Wherefore I prayed, and understanding was given me: I called upon God, and the spirit of wisdom came to me. I preferred her before sceptres and thrones, and esteemed riches nothing in comparison of her.
Página 48 - Non era ancor molto lontan dall' orto, di' e' cominciò a far sentir la Terra Della sua gran virtude alcun conforto. Che per tal donna giovinetto in guerra Del padre corse, a cui, com...
Página 73 - Lower down is the earth, where men are rising from the graves ; armed angels direct them to the right and left. Here is seen Solomon, who whilst he rises seems doubtful to which side he should turn ; here a hypocritical monk, whom an angel draws back by the hair from the...
Página 392 - La mossa coll' ombrar Veneziano, E il degno colorir di Lombardia. Di Michel Angiol la terribil via, II vero natural di Tiziano, Del Correggio lo stil puro e sovrano, E di un Rafel la giusta simmetria. Del Tibaldi il decoro, e il fondamento, Del dotto Primaticcio 1' inventare, E un po di grazia del Parmigianino. Ma senza tanti studj, e tanto stento, Si ponga 1' opre solo ad imitare Che qui lasciocci il nostro Niccolino.
Página 72 - Saints next to them, severe, solemn, dignified figures. Angels, holding the instruments of the passion, hover over Christ and the Virgin : under them is a group of angels, in the strictest symmetrical arrangement, who summon the dead from their graves ; two blow the trumpets, a third conceals himself in his drapery, shuddering at the awful spectacle.
Página 204 - It required the united power of an architect, sculptor and painter to conceive a structural whole of so much grandeur, to design the decorative figures with the significant repose required by their sculpturesque character, and yet to preserve their subordination to the principal subjects, and to keep the latter in the proportions and relations best adapted to the space to be filled.