Renaissance Drama, Volumen8Samuel Schoenbaum Northwestern University Press, 1966 Beginning with new ser. v.1 each volume devoted to a specific topic. |
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383 | 64 |
COPE | 127 |
THELMA HERRING Chapman and an Aspect of Modern Criticism | 133 |
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Absalom action actors Ahitophel Alamanni Alboin allegory Allwit Amnon Andrea Antigone audience Balthazar Bartholomew Fair Bathsheba Ben Jonson Bethsabe Bussy D'Ambois Carnival Chabot Chapman characters Chaste Maid chorus Cinquecento tragedy classical Cokes comedy comic commedia contrast criticism Dauid David David and Bathsheba death Dido dramatic dramatist eclogue Elizabethan Encina's play English episode essay F. S. Boas flesh Fortune George Chapman Hieronimo Horatio human imagery interlude ironic irony Italian Jacobean Jonson justice king Kixes Littlewit London marriage masque mercy Middleton moral nature Overdo overplot Pantalone Peele Peele's play performance pietà play's plot Poetics Porta prologue Quarlous Renaissance Drama revenge Ribner romantic Rosmunda Rucellai satire scene seems Senecan Shakespeare shepherds Sir Walter situation sixteenth-century Sophocles Spanish Tragedy stage story structure symbolic Tamar Tharsalio theater theatrical thee thematic theme thou Touchwood Senior tradition Tragedy of Chabot tragic Troubleall University Widow's Tears Wit and Science Yellowhammer