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Página 88
This influence extended to the postwar period , when he was read by Luis Felipe Vivanco and by the poets of the Cántico group of ... however , neither condemns or apologizes for the often bathetic poetry inspired by the French poet .
This influence extended to the postwar period , when he was read by Luis Felipe Vivanco and by the poets of the Cántico group of ... however , neither condemns or apologizes for the often bathetic poetry inspired by the French poet .
Página 124
according to the poetic tradition , the writer's radical Other is the beloved herself ; on the other , the Third ... Virginia is a divine being , who founds Tasso's identity and merges her self with the self of the poet .
according to the poetic tradition , the writer's radical Other is the beloved herself ; on the other , the Third ... Virginia is a divine being , who founds Tasso's identity and merges her self with the self of the poet .
Página 133
The poet in fact protects his beloved from her own look . In order to survive , the Other must ignore her own self / look . For Scève to know one's self means to become aware of one's own non - being , of one's non - existence .
The poet in fact protects his beloved from her own look . In order to survive , the Other must ignore her own self / look . For Scève to know one's self means to become aware of one's own non - being , of one's non - existence .
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Contenido
da Alfieri | 21 |
Louis W Marvick Mallarmé and Wagner on Rhythm | 33 |
87 | 39 |
Derechos de autor | |
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