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Página 49
Pas d'introduction , pas de finale ” 16. Rhythm should be attenuated until it no longer seems to belong to a pattern extending predictably through time . Not only the beginning and end of the whole work but the beginning and end of ...
Pas d'introduction , pas de finale ” 16. Rhythm should be attenuated until it no longer seems to belong to a pattern extending predictably through time . Not only the beginning and end of the whole work but the beginning and end of ...
Página 52
... even as other music - hall - revues , minstrel shows , similar types of vaudeville shows , and popular - culture melodies did influence him from time to time ( as witnessed especially in his well - known essay on Marie Lloyd ) .
... even as other music - hall - revues , minstrel shows , similar types of vaudeville shows , and popular - culture melodies did influence him from time to time ( as witnessed especially in his well - known essay on Marie Lloyd ) .
Página 77
Tiresias , who emerges for a moment at the poem's centre , who is of every time and no time , male and female , blind yet gifted with special ... and that all places are one place and all times one time , is type of the poetprophet .
Tiresias , who emerges for a moment at the poem's centre , who is of every time and no time , male and female , blind yet gifted with special ... and that all places are one place and all times one time , is type of the poetprophet .
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Contenido
da Alfieri | 21 |
Louis W Marvick Mallarmé and Wagner on Rhythm | 33 |
87 | 39 |
Derechos de autor | |
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