Andromaque--Britannicus--Phèdre; with an Introduction |
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Página xxii
The play gives a better illustration than any other of Racine's ability to develop a very small historical fact , briefly ... and it marks in a striking fashion the triumph of Racine's form of dramatic art over that of Corneille .
The play gives a better illustration than any other of Racine's ability to develop a very small historical fact , briefly ... and it marks in a striking fashion the triumph of Racine's form of dramatic art over that of Corneille .
Página 223
By this means Racine succeeds in communicating to us the horror that Pyrrhus , the author of her woes , inspires in Andromache , and he makes us feel that this horror is more than justified . 1044-1047 .
By this means Racine succeeds in communicating to us the horror that Pyrrhus , the author of her woes , inspires in Andromache , and he makes us feel that this horror is more than justified . 1044-1047 .
Página 244
Inspired by Seneca , but Racine's expression of Phaedra's infatuation is far more subtle , more delicate and more forceful than the Roman's . 636. By objets Phaedra means women or mistresses . 637. Cf. note to line 384 . 643-644 .
Inspired by Seneca , but Racine's expression of Phaedra's infatuation is far more subtle , more delicate and more forceful than the Roman's . 636. By objets Phaedra means women or mistresses . 637. Cf. note to line 384 . 643-644 .
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Agrippina aime Albine Allons âme amour Andromaque Aricie assez bras Britannicus Burrhus cacher cæur CÉPHISE César charmes cher chercher ciel Claudius coup cour courroux craint crime cruel death dessein destin devant Dieux dire discours donner douleur doute enfin ennemis ENONE époux fils French frère funeste fureur garde gloire Grecs haine Hélas Hermione heureux Hippolyte J'ai jour Junie juste l'ai l'amour l'autre laisse larmes lieux line loin longtemps love lui-même m'en Madame main maître malheur mère mort mortels n'ai Narcisse Nero Néron note ORESTE Pallas parler passé pensée père peuple peut-être Phèdre pieds place play pleurs porte PREMIÈRE prêt Prince PYLADE Pyrrhus qu'à qu'un Racine regards rend reste rien rival Rome s'il sais sang SCÈNE secret Seigneur sera seul soins songe sort Souffrez Tacitus THÉRAMÈNE Thésée Theseus transports triste trouble veut veux viens vient vois voix vous-même XVII century yeux