Andromaque--Britannicus--Phèdre; with an Introduction |
Dentro del libro
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Página xi
It is difficult for us to appreciate his point of view , and , indeed , in his last play , Athalie , he pays greater attention to the spectacular , but , when we think of how much Romantic tragedy , melodramas , and moving - pictures ...
It is difficult for us to appreciate his point of view , and , indeed , in his last play , Athalie , he pays greater attention to the spectacular , but , when we think of how much Romantic tragedy , melodramas , and moving - pictures ...
Página xxiv
The action of the play is , however , not physical , but psychological . Phèdre is led , in spite of herself , to confess her desires to her attendant , none , then to Hippolytus himself . This confession creates an impossible situation ...
The action of the play is , however , not physical , but psychological . Phèdre is led , in spite of herself , to confess her desires to her attendant , none , then to Hippolytus himself . This confession creates an impossible situation ...
Página 223
This might be called the turning point of the play . 1061. garde . His personal guard . 1069. craître . The equivalent of croître but pronounced to rhyme with maître . 1083. en . Refers to Astyanax . To the modern audience it may seem ...
This might be called the turning point of the play . 1061. garde . His personal guard . 1069. craître . The equivalent of croître but pronounced to rhyme with maître . 1083. en . Refers to Astyanax . To the modern audience it may seem ...
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Términos y frases comunes
Agrippina aime Albine Allons âme amour Andromaque Aricie assez bras Britannicus Burrhus cacher cæur CÉPHISE César charmes cher chercher ciel Claudius coup cour courroux craint crime cruel death dessein destin devant Dieux dire discours donner douleur doute enfin ennemis ENONE époux fils French frère funeste fureur garde gloire Grecs haine Hélas Hermione heureux Hippolyte J'ai jour Junie juste l'ai l'amour l'autre laisse larmes lieux line loin longtemps love lui-même m'en Madame main maître malheur mère mort mortels n'ai Narcisse Nero Néron note ORESTE Pallas parler passé pensée père peuple peut-être Phèdre pieds place play pleurs porte PREMIÈRE prêt Prince PYLADE Pyrrhus qu'à qu'un Racine regards rend reste rien rival Rome s'il sais sang SCÈNE secret Seigneur sera seul soins songe sort Souffrez Tacitus THÉRAMÈNE Thésée Theseus transports triste trouble veut veux viens vient vois voix vous-même XVII century yeux