Renaissance DramaNorthwestern University Press, 1975 - 250 páginas |
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Página 46
... dramatists ' problem by citing C. L. Barber's description of the mood created by what he terms festive comedy : " Behind the laughter at the butts there is always a sense of solidarity about pleasure , a communion embracing the merry ...
... dramatists ' problem by citing C. L. Barber's description of the mood created by what he terms festive comedy : " Behind the laughter at the butts there is always a sense of solidarity about pleasure , a communion embracing the merry ...
Página 103
... dramatists is not in itself startling . Though it is not possible to show a historical connection between the authors of the popular tragedies and the cycles ( uncertain identification of the three writers and the loss of important ...
... dramatists is not in itself startling . Though it is not possible to show a historical connection between the authors of the popular tragedies and the cycles ( uncertain identification of the three writers and the loss of important ...
Página 148
... dramatists and which can eventually be fitted into the larger European context . In particular , it begins to appear that his " discovery " of tragicomedy was , in part at least , like that of his fellow dramatists , a discovery of ...
... dramatists and which can eventually be fitted into the larger European context . In particular , it begins to appear that his " discovery " of tragicomedy was , in part at least , like that of his fellow dramatists , a discovery of ...
Contenido
Preface | 3 |
GAIL KERN PASTER The City in Plautus and Middleton | 29 |
The Audiences Engagement with | 45 |
Derechos de autor | |
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Términos y frases comunes
action actors aesthetic aesthetic distance All's Aminta Angelo Beolco Apius argument Aristotle Aristotle's audience Beolco Cambises CARINO Catch the Old century characters classical comic commedia conflict Corpus Christi plays court critics deliberative soliloquies Donatus dramatists early edition Elizabethan Elizabethan drama Elizabethan Tragedy English drama episodes epitasis essay father Greek Guarini Henry hero Horestes Il Pastor Fido influence intermedi Italian Jonson kind Latin literary London Mankind medieval Menaechmi middle Middleton's Minturno MONTANO moral interludes morality plays morality tradition mystery plays nature neoclassical Oxford paradigm passion Pastor Fido performance Physician's Tale Plautine Plautus Plautus and Terence playwrights plot Poetics prodigal prodigal-son comedy Prologue Renaissance Renaissance drama ritual Roman comedy rustic Ruzante satiric scene scholars Seneca Senecan drama Senecan tragedy Shakespeare shepherds Sibyl sixteenth sixteenth-century social spectators stage structure theater theatrical theme tion Torres Naharro's tragicomedy translation Trick to Catch vices York