SECTION III-F.-ENAMELS AND GLASS. 1. BURTY, Philippe. Les Émaux cloisonnés, anciens et modernes. 70 pp. 2 chromo-lithogr., and 13 cuts. 8°. Paris, 1868.

2. SLADE, Felix. Catalogue of the Collection of Glass formed by F. S. with notes on the history of glass making by Alexander Nesbitt. (Japanese Glass, p. 66.) (16 x 11) London, 1871.

3. AUDSLEY, George Ashdown. Notes on Japanese_Art; with a note on modern Japanese Enamels. Paper read before the Architectural Association, London. 33 pp. (12 x 9) Liverpool, 1874.

4. BOWES, James Lord.

Japanese Enamels; with illustrations from the examples in the Bowes Collection. 20 (2 col.) plates, and cuts. (11 x 8) Liverpool,

1884.

5. GARNIER, Édouard.

l'Émaillerie. 3 cuts.

Histoire de la Verrerie et de (11 x 8) Tours, 1886.

6. Bowes, James Lord. Notes on Shippo. A sequel to Japanese Enamels." 7 (3 phototype and 4 photozincotype) plates; facsimiles of marks, and photozincotypes in the text. (11 x 8) London, 1895.

7. JAPAN. Die Herstellung von Cloisonnéwaaren in Japan. (Über die Industrie von Nagoya.) 1 p. (In Das Handels-Museum, x, 581.) (13 × 8) Wien, 1895.

SECTION III-G.-ENGRAVING ON WOOD
AND METAL.

1. DURET, Théodore. The art of Engraving in Japan. 7 pp. Photo-zincotypes (3 col.). (In Artistic Japan, p. 73.) 1888.

2. BING, S. Japanese Engraving. 12 pp. Photo-zincotypes (some col.). (In Artistic Japan, p. 319.)

(14 x 10) London, 1890.

3. PALMER, H. Spencer. Hana-awase. (A Japanese game with cards.) 20 pp. 4 chromo-xylogr. (In Asiatic Soc. of Japan, Trans., 1891, p. 545.) (9×6)

4. WOODCUT PRINTING in water-colours after the Japanese manner. (Including interviews with S. Eida and J. D. Batten, and an account of the process by R. Tokuno.) 12 pp. 8 photo-zincotypes. (In The Studio, III, 110, 144.) (12×9) London, 1894.

5. BING, S. The art of Utamaro. 5 pp. 12 photo-zincotypes. (In The Studio, IV, 137.) (12x9) London, 1895.

6. ANDERSON, William. Japanese Wood Engravings; their history, technique and characteristics. 80 pp.

6 chromo-xylogr. and 38 photo-zincotypes. (Portfolio Monographs, XVII.) (11x7) London, 1895.

(In

7. STRANGE, Edward Fairbrother. The landscapes of the two Hiroshige. 6 pp. Facsimile signatures. The Beam, 1896, p. 8.) (9×5) London, 1896.

8. CONKLING, D. P. B. Japanese War Posters.

4 PP:

4 photo-zincotypes. (In The Century, LI, 939.) (10×7) New York, 1896.

9. STRANGE, Edward Fairbrother. The Colour prints of Japan: an appreciation. 7 pp. (In The New

Review, 1896, 680.) (10×7) London, 1896.

10. STRANGE, Edward Fairbrother. Japanese Illustration. A history of the arts of wood-cutting and colourprinting in Japan. 8 chromo-lithogr. and 80 photozincotypes. (9×6) London; 1896.

11. FENOLLOSA, Ernest Francisco. The Masters of Ukioye. A complete historical description of Japanese Paintings and Color-prints of the Genre School. (10×7) New York, 1896.

SECTION III-H.-LACQUER.

1. LIVERPOOL: Liverpool Art Club. Audsley, George Ashdown. Catalogue raisonné of the Oriental Exhibition, held at the Club Rooms, December, 1872. 24 photogr. and 3 cuts. (12 x 9) Liverpool, 1872. 2. EPHRUSSI, Charles. Les Laques Japonais au Trocadéro. 7 cuts. (In PARIS: Exhibition, 1878. Gonse, L. L'Art ancien, p. p. 503.) (13 X 9) Paris, 1879.

16 PP.

3. QUIN, John J. The Lacquer industry of Japan. 30 pp. (In Asiatic Soc. of Japan, Trans., 1880, p. 1.) (9x6) Yokohama, 1880.

4. QUIN, John J. Report by Her Majesty's Acting Consul at Hakodate on the Lacquer Industry of Japan. 28 pp. (10×6) London, 1882.

5. KORSCHELT, O. The chemistry of Japanese Lacquer; by O. K., and H. Yoshida. 39 pp. (In Asiatic Soc. of Japan, Trans., 1884, p.182.) (9×6) Yokohama, 1884. 6. GONCOURT, Edmond de. A travelling writing-set, made by one of the Forty-seven Ronins. 11 pp. 10(3 col.) photo-zincotypes. (In Artistic Japan, p. 57.)

(14 x 10) London, 1888.

7. HART, Ernest. Ritsuo and his School. 9 pp. zincotypes. (In Artistic Japan, p. 139.) London, 1889.

8. GILBERTSON, Edward. Lacquer (Japanese). 25 pp. (In LONDON: Burlington Fine Arts Club. Catalogue of Japanese Lacquer and Metal work, p. xxxvii.) (11 x 9) London, 1894.

9. DILLON, Edward. Note on Inro. 2 pp. (In LONDON: Burlington Fine Arts Club. Catalogue of Japanese Lacquer and Metal work, p. lxiii.) (11×9) London, 1894.

discussion.)

10. HART, Ernest. Notes on the history of Lacquer. (With 15 PP. 9 photo-zincotypes. (In LONDON: Japan Society. Trans., III, 7.) (10×6) London, 1896.

1. WA

SECTION III-K.-METAL WORK.

ARING, J. B. Masterpieces of Industrial Art and Sculpture in the International Exhibition, 1862. (Japanese Bronzes, III, 267.) 1 chromo-lithogr. (17 x 12) London, 1863.

2. KANDA, Takahira. On some copper Bells. 5 pp. (In Asiatic Soc. of Japan, Trans., 1875, p. 29.) (9×6) Yokohama, 1875.

20 pp.

3. GEERTS, J. A. Useful minerals and metallurgy of the Japanese. Gold. 12 cuts by a Japanese artist. (In Asiatic Soc. of Japan, Trans., 1876, p. 89.)

4. FALIZE, L. Jewellery (of Japan). 8 pp. Photo-zincotypes. (In Artistic Japan, p. 43.) p. 43.) (14 × 10)

London, 1888.

5. RAMBAUT, Arthur A. Note on some Japanese Clocks lately purchased for the Science and Art Museum. 11 pp. 5 illustrations. (9×6) Dublin, 1889.

6. ANDERSON, William. Metal work (Japanese). 15 pp. (In LONDON: Burlington Fine Arts Club. Catalogue of Japanese Lacquer and Metal work, p. vii.) (11 × 9) London, 1894.

7. GOWLAND, William. A Japanese pseudo-speise (shiromé), and its relations to the purity of Japanese copper, and the presence of arsenic in Japanese bronze. 26 pp. 5 photo-zincotypes. (9×5) London, 1894.

8. GOWLAND, William The art of casting Bronze in Japan. 36 pp. 15 photo-zincotypes. (In LONDON: Society of Arts. Journal, XLIII, 523.) (10×6) London,

1895.

9. GOWLAND, William. The art of casting Bronze in Japan. 44 PP. 18 photo-zincotypes. (11x7) London, 1895.

10. GILBERTSON, Edward. Japanese Chasing and Chasers. 7 pp. 18 photo-zincotypes. (In The Studio, VII, 15.) (12x9) London, 1896.

SECTION III-L.-MUSICAL INSTRUMENTS.

1. JOCTELEG. The Biwa. 3 pp. 1 cut. (In The Chrysanthemum, 1, 472.) (9x5) Yokohama, 1881.

8 pp.

1 cut.

2. Du Bois, F. The Gekkin Musical Scale. (In Asiatic Soc. of Japan, Trans., 1891, p. 369.) (9×6) Yokohama, 1891.

3. KNOTT, C. G. Remarks on Japanese Musical Scales. 19 pp. (In Asiatic Soc. of Japan, Trans., 1891, p. 373.) (9x6) Yokohama, 1891.

4. PIGGOTT, F. T. The Music of the Japanese. 10 pp. Cuts. (In Asiatic Soc. of Japan, Trans., 1891, 271.) (9×6) Yokohama, 1891.

5. PIGGOTT, F. T. The Music and Musical Instruments of Japan. (With notes by T. L. Southgate.) 16 photolithogr., other plates, and illustrations in the text. (11x8) London, 1893.

SECTION III-M.-PAINTING AND DRAWING. NOTE.-See especially for this subject: III, 20, Gonse; III, 22, Anderson; and IX, 1, London; British Museum (Anderson).

1. ANDERSON, William. A history of Japanese Pictorial Art. 35 pp. (In Asiatic Soc. of Japan, Trans., 1879, p. 339.) (9x6) Yokohama, 1879.

2. WOERMANN, KARL. Die Landschaft in der Kunst der alten Völker. Eine Geschichte der Vorstufen und Anfänge der Landschaftsmalerei. 10 lithogr. (11 × 7) München, 1876.

3. DILLON, Frank. Drawings by Japanese Artists: ... with letter-press descriptions.

48 pp.

autotypes. (21 x 14) London, 1880.

15 col.

4. BING, S. The origin of (Japanese) Painting gathered from history. 25 pp. Photo-zincotypes. (In Artistic Japan, pp. 151, 167.) (14×10) London,

1889.

5. GEFFROY, Gustave. Japanese Landscape painters. 18 pp. Photo-zincotypes (some col.). (In Artistic Japan, pp. 407, 419.) (14×10) London, 1891.

6. Bowes, James Lord. The Gardens of Uyeno and Asakusa, Yedo. Illustrated in a pair of framed rolls in the picture gallery, Bowes Collection. 12 pp. 3 photo-zincotypes, incl. 2 facsimiles of Japanese titles. (9x6) Liverpool, 1894.

7. DILLON, Frank. Studies by Japanese Artists.

7 PP:

7 photo-zincotypes. (In The Studio, III, 35.) (12 × 9) London, 1894.

8. MONTAIGU, Annie de, Countess. The Kakemono and its usage. 9 pp. 35 photo-zincotypes. (In The Monthly Illustrator, IV, 65.) (10x7) New York,