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innate in man certain fixed points, that is, principles of science; as Number, the recognition of Order and Proportion, logical, geometrical, physical and moral Principles. Physical principles are such as these,everything which exists proceeds from a cause,-a body cannot be in two places at once,-time is a continued series of things or of motions,—and the like." It is not difficult to see that such Principles partake of the nature of the Fundamental Ideas which we have attempted to arrange and enumerate in a previous part of this work.

Before we proceed to the next chapter, which treats of the Practical Reformers of Scientific Method, let us for an instant look at the strong persuasion implied in the titles of the works of this period, that the time of a philosophical revolution was at hand. Telesius published De Rerum Natura juxta propria principia; Francis Helmont, Philosophia vulgaris refutata; Patricius, Nova de Universis Philosophia; Campanella, Philosophia sensibus demonstrata, adversus errores Aristotelis; Bruno professed himself the author of a Nolan Philosophy; and Ramus of a New Logic. The age announced itself pregnant; and the eyes of all who took an interest in the intellectual fortunes of the race, were looking eagerly for the expected offspring.

CHAPTER XIV.

THE PRACTICAL REFORMERS OF SCIENCE.

1. Character of the Practical Reformers.-WE now come to a class of speculators who had perhaps a greater share in bringing about the change from stationary to progressive knowledge, than those writers who so loudly announced the revolution. The mode in which the philosophers of whom we now speak produced their impressions on men's minds, was very different from the procedure of the theoretical reformers. What these talked of, they did; what these promised, they performed. While the theorists concerning knowledge proclaimed that great advances were to be made, the practical discoverers went steadily forwards. While one class spoke of a complete Reform of scientific Methods, the other, boasting little, and often thinking little of Method, proved the novelty of their instrument by obtaining new results. While the metaphysicians were exhorting men to consult experience and the senses, the physicists were examining nature by such means with unparalleled success. And while the former, even when they did for a moment refer to facts, soon rushed back into their own region of ideas, and tried at once to seize the widest generalizations, the latter, fastening their attention upon the phenomena, and trying to reduce them to laws, were carried forwards by steps measured and gradual, such as no conjectural view of scientific method had suggested; but leading to truths as profound and comprehensive as any which conjecture had dared to anticipate. The theoretical reformers were bold, selfconfident, hasty, contemptuous of antiquity, ambitious of ruling all future speculations, as they whom they

The practical

sought to depose had ruled the past. reformers were cautious, modest, slow, despising no knowledge, whether borrowed from tradition or observation, confident in the ultimate triumph of science, but impressed with the conviction that each single person could contribute a little only to its progress. Yet though thus working rather than speculating,dealing with particulars more than with generals,employed mainly in adding to knowledge, and not in defining what knowledge is, or how additions are to be made to it, these men, thoughtful, curious, and of comprehensive minds, were constantly led to important views on the nature and methods of science. And these views, thus suggested by reflections on their own mental activity, were gradually incorporated with the more abstract doctrines of the metaphysicians, and had a most important influence in establishing an inproved philosophy of science. The indications of such views we must now endeavour to collect from the writings of the discoverers of the times preceding the seventeenth century.

Some of the earliest of these indications are to be found in those who dealt with Art rather than with Science. I have already endeavoured to show that the advance of the arts which give us a command over the powers of nature, is generally prior to the formation of exact and speculative knowledge concerning those powers. But Art, which is thus the predecessor of Science, is, among nations of acute and active intellects, usually its parent. There operates, in such a case, a speculative spirit, leading men to seek for the reasons of that which they find themselves able to do. slowly, and with what repeated deviations men follow this leading, when under the influence of a partial and dogmatical philosophy, the late birth and slow growth of sound physical theory shows. But at the period of which we now speak, we find men, at length, proceeding in obedience to the impulse which thus drives them from practice to theory;-from an acquaintance with phenomena to a free and intelligent inquiry concerning their causes.

How

2.

Leonardo da Vinci.-I have already noted, in the History of Science, that the Indistinctness of Ideas, which was long one main impediment to the progress of science in the middle ages, was first remedied among architects and engineers. These men, so far at least as mechanical ideas were concerned, were compelled by their employments to judge rightly of the relations and properties of the materials with which they had to deal; and would have been chastised by the failure of their works, if they had violated the laws of mechanical truth. It was not wonderful, therefore, that these laws became known to them first. We have seen, in the History, that Leonardo da Vinci, the celebrated painter, who was also an engineer, is the first writer in whom we find the true view of the laws of equilibrium of the lever in the most general case. This artist, a man of

a lively and discursive mind, is led to make some remarks' on the formation of our knowledge, which may show the opinions on that subject that already offered themselves at the beginning of the sixteenth century. He expresses himself as follows:-"Theory is the general, Experiments are the soldiers. The interpreter of the artifices of nature is Experience: she is never deceived. Our judgment sometimes is deceived, because it expects effects which Experience refuses to allow." And again, "We must consult Experience, and vary the circumstances till we have drawn from them general rules; for it is she who furnishes true rules. But of what use, you ask, are these rules; I reply, that they direct us in the researches of nature and the operations of art. They prevent our imposing upon ourselves and others by promising ourselves results which we cannot obtain.

"In the study of the sciences which depend on mathematics, those who do not consult nature but authors, are not the children of nature, they are only her grand

1 His works have never been published, and exist in manuscript in the library of the Institute at Paris. Some extracts were published by Venturi,

Essai sur les Ouvrages de Leonard da
Vinci. Paris, 1797.

2 Leonardo died in 1520, at the age of 78.

children. She is the true teacher of men of genius. But see the absurdity of men! They turn up their noses at a man who prefers to learn from nature herself rather than from authors who are only her clerks."

In another place, in reference to a particular case, he says, "Nature begins from the Reason and ends in Experience; but for all that, we must take the opposite course; begin from the Experiment and try to discover the Reason."

Leonardo was born forty-six years before Telesius ; yet we have here an estimate of the value of experience far more just and substantial than the Calabrian school ever reached. The expressions contained in the above extracts, are well worthy our notice;-that experience is never deceived;- that we must vary our experiments, and draw from them general rules;-that nature is the original source of knowledge, and books only a derivative substitute;-with a lively image of the sons and grandsons of nature. Some of these assertions have been deemed, and not without reason, very similar to those made by Bacon a century later. Yet it is probable that the import of such expressions, in Leonardo's mind, was less clear and definite than that which they acquired by the progress of sound philosophy. When he says that theory is the general and experiments the soldiers, he probably meant that theory directs men what experiments to make; and had not in his mind the notion of a theoretical Idea ordering and brigading the Facts. When he says that Experience is the interpreter of Nature, we may recollect, that in a more correct use of this image, Experience and Nature are the writing, and the Intellect of man the interpreter. We may add, that the clear apprehension of the importance of Experience led, in this as in other cases, to an unjust depreciation of the value of what science owed to books. Leonardo would have made little progress, if he had attempted to master a complex science, astronomy for instance, by means of observation alone, without the aid of books.

But in spite of such criticism, Leonardo's maxims show extraordinary sagacity and insight; and they

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