Renaissance DramaNorthwestern University Press, 1982 |
Contenido
THOMAS PETTITT English Folk Drama and the Early German | 1 |
CATHERINE MINSHULL Marlowes Sound Machevill | 35 |
Imitation as Interpretation | 55 |
Derechos de autor | |
Otras 5 secciones no mostradas
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Términos y frases comunes
action Alcazar Alfred Harbage Alice Arden's crime Alphonsus Amintor Arden Ariel Aspatia audience authority Barabas Barabas's Bartholomew Fair Ben Jonson Catholy century chap characters Christopher Marlowe citizen City Madam Cokayne comedy comic context court critics D'Avenant dance death Discourse divorce Dryden early Fastnachtspiele Elizabethan England English folk drama English folk plays essay Evadne Evadne's Fastnachtspiele Ferneze Folk-Play Frugal Gentillet German Fastnachtspiele Hippolito I.ii Ibid ideas III.ii Jacobean Jew of Malta Jonson judgment Keller king Locrine London Luke Luke's Machiavelli Machiavelli's Maid's Tragedy Marlovian Marlowe Marlowe's marriage masque Massinger Massinger's medieval Melantius Melantius's moral mummers murder Night parallels performance play's playwrights plot poet political popular Prologue Prospero Puritan relationship Renaissance represents revenge revised Tempest Ribner ritual satire scene seasonal custom Selimus sexual Shakespeare Shakespeare's Shrovetide Sir John social society speeches stage suggest Sword T. S. Eliot Tamburlaine theater theatrical tion traditional V.iii Volpone