Dissent, Volumen53Dissent Publishing Corporation, 2006 |
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Página 65
... films with sexual penetration . Could it be that nei- ther the violence nor the sex is obscene , but that a film is obscene if it puts them together ? That's the question that the jury will have to decide . " We are afraid to lose , " a ...
... films with sexual penetration . Could it be that nei- ther the violence nor the sex is obscene , but that a film is obscene if it puts them together ? That's the question that the jury will have to decide . " We are afraid to lose , " a ...
Página 113
... film ) . The found- ing principle of the French " New Wave ” —the director as auteur - asserted movie - making as an intellectual act . Even Sontag tried making films ( by most accounts , not very successfully ) . Sontag's cinematic ...
... film ) . The found- ing principle of the French " New Wave ” —the director as auteur - asserted movie - making as an intellectual act . Even Sontag tried making films ( by most accounts , not very successfully ) . Sontag's cinematic ...
Página 116
... films that put raw emotion on the screen by placing his charac- ters in difficult situations , watching as their lives disintegrate . In his most famous film , A Woman Under the Influence ( 1974 ) , he por- trayed a mother's nervous ...
... films that put raw emotion on the screen by placing his charac- ters in difficult situations , watching as their lives disintegrate . In his most famous film , A Woman Under the Influence ( 1974 ) , he por- trayed a mother's nervous ...
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