...and modifies the images, thoughts and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity,...and spirit of unity, that blends, and, (as it were,) ftists, each into each, by that synthetic and magical power, to which we have exclusively appropriated...

...soul of man into activity, with the suhordination of its faculties to each other, aecording to thcir relative worth and dignity. He diffuses a tone and spirit of unity that hlends and, as it were, fuses each into each, hy that synthetic and magical power to which we have...

...and modifies the images, thoughts, and emotions of the poet's own mind. The poet, deseribed in ideal perfection, brings the whole soul of man into activity,...each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action by...

...perfection, brings the whole soul man into activity, with the subordination of its faculties to Veach other according to their relative worth and dignity....each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of f lmagination. This power, first put in action...

...and modifies the images, thoughts, and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity,...each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination* This power, first put in action by...

...will, but not the poet's object. Coleridge says of the poet, that " described in ideal perfection, he brings the whole soul of man into activity with the...each into each by that synthetic and magical power to which we have exclusively appropriated the name of imagination. This power, first put in action...

...and modifies the images, thoughts, and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole soul of man into activity,...each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action by...

...the practicability of combining both ; these are the Poetry of Nature. " The Poet, described in ideal perfection, brings the whole soul of man into activity,...blends and (as it were) fuses each into each, by that magical power to which we have exclusively appropriated the name of Imagination. This power — first...

...and emotions of the poet's own mind. The poet, described in ideal perfection, brings the whole sold of man into activity, with the subordination of its...each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination. This power, first put in action by...

...the whole soul of man into aetivity, with the subordination of its faeulties to eaeh other aeeording to their relative worth and dignity. He diffuses a...spirit of unity, that blends, and (as it were) fuses eaeh into eaeh, by that synthetie and magieal power, to whieh I would exelusively appropriate the name...